EUTC Wiki - User contributions [en]

Sub-Committee

2012-07-01T10:00:08Z

Adam:

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, this team became known as the sub-committee, it consists of the [[Sub-Committee#Archivist|Archivist]], the [[Sub-Committee#Librarian|Librarian]] and the [[Sub-Committee#Youth Project Co-Ordinator|Youth Project Co-Ordinator]].

==Archivist==

The Archivist, is resposible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam. Up until the 2010 AGM, archivist was a committee position.

see also [[Archive]]

2012-2013 Ian Culleton

2011-2012 Athina Kefalopoulos

2010-2011 Sally Gascoigne

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2012-2013 Charlotte Hodge

2011-2012 Callum O'Dwyer

2010-2011 Alex "Fernie" Fernandes

2009-2010 Neville Billimoria

2007-2009 Felix Trench

== Youth Project Co-Ordinator ==

Youth Project or Bedlam Theatre Youth Project is EUTC's community outreach project as stipulated in the constitution. The youth project holds voluntary free workshops for young people of school age on a range of theatre based subjects. Since 2006 there have been changes in legislation that have caused problems with holding workshops with young people in the building.
However, the 2008 team found a way around this and held workshops in schools.

see also [[Youth project]]

2012-2013 Bonnie C. Aspinwall

2011-2012 Ellen Gledhill

2010-2011 Susanna Grenga

2009-2010 Neville Billimoria

2008-2009 Helena Larkin

 [http://www.bedlamyouthproject.org.uk Bedlam Youth Project Website]

Committee

2012-07-01T09:58:43Z

Adam:

The EUTC is administered by a permanent Committee of 13 members. They are; the [[Committee#President|President]], [[Committee#Secretary|Secretary]], [[Committee#Business Manager|Business]], [[Committee#Theatre Manager|Theatre]], [[Committee#Set Manager|Set]], [[Committee#Technical Manager|Technical]], [[Committee#Productions Manager|Productions]], [[Committee#Marketing Manager|Marketing]], [[Committee#Front of House Manager|Front of House]], [[Committee#Wardrobe Manager|Wardrobe]], [[Committee#Entertainments Manager|Entertainments]], [[Committee#IT Systems Manager|IT Systems Manager]] and [[Committee#Fringe Venue Manager|Fringe Venue Manager]]. It is the role of the Committee to administer the EUTC and to ensure the smooth running of the theatre. The Committee are elected at the AGM (usually at the end of February) to serve the period April 1- March 31st. There is also a [[Sub-Committee]] who help with other aspects of Bedlam.

:See also: [[Non-Committee Positions]]

== President ==

It is the role of the President to chair meetings and to oversee the work of the committee and the general management of the Company. The President should remain impartial and always act in the best long term interest of the EUTC. The President is also required to keep the Company Office tidy.

2012-2013 Faith Jones

2011-2012 Inga Rudzitis

2010-2011 Camille Acosta

2009-2010 Fran Walker

2008-2009 Lauren McLeod

2007-2008 Lucy Jackson

2006-2007 James Mutton

2005-2006 Miriam Raines

2004-2005 Matt Gray

2003-2004 Rebekah Stackhouse

2002-2003 Natalie Adzic

== Business Manager ==

It is the role of the Business Manager to maintain the accounts and to facilitate communication between the EUTC and EUSAs Accounts department. The Business Manager is a cheques signatory. The oversee all spending and ensure that shows don't go over budget.

2012-2013 Julian Matthews

2011-2012 Adam Alton

2010-2011 Amy Brewer

2009-2010 Zoe Brown

2008-2009 Colleen Patterson

2007-2008 Lara-Ann de Wet

2006-2007 Fran Rooney

2005-2006 James Mutton

2004-2005 Victoria Tills

2003-2004 Rachel Mountfield

== Secretary ==

The Secretary is responsible for all of the administrative leg-work of the EUTC. They keep minutes of all meetings and makes rehearsal schedules.

2012-2013 Venice Van Someren

2011-2012 Ella Guest

2010-2011 Camilla Born

2009-2010 Ellen Gledhill

2008-2009 Amy Brewer

2007-2008 Fran Walker

2006-2007 Helena Larkin

2005-2006 Becky Hill (until Dec. 2005) Emma Drage (from Dec. 2005)

2004-2005 Emma Drage

2003-2004 Alex Howard

== Theatre Manager ==

The Theatre Manager is responsible for the day to day running of the theatre, They ensure that all sets are safe. The ensure that the theatre is safe and that there are no obvious fire/ health and safety problems. They also maintain the building, doing small amounts of repair work. They also facilitate communication with the works department over the more serious repair works. The Theatre Manager maintains a TM Handbook which keeps up-to-date info about the building. The Theatre Manager is named on the License as the 'Responsible Manager' as such legally, the buck stops with them.
see also [[Theatre Manager- Job Description]]

2012-2013 Luciana Miu

2011-2012 Pierre Pecheux

2010-2011 Adam Alton

2009-2010 Roz Perkins

2008-2009 Cat Hobart

2007-2008 Kerry O'Herlihy

2006-2007 Dave Larking

2005-2006 Alex Engel

2004-2005 Tom Latter

2003-2004 Kati Hind

2002-2003 Jay Adriaanse

== Set Manager ==

The position of Set Manager was created at the end of 2007 to relieve some pressure from the [[Theatre Manager]]. The Set Manager is responsible for all communications with show [[stage manager]]s, responsible for all [[set]] (on the [[balconies]]) and tidiness and resources of the [[workshop]]. The Set Manager is directly responsible to the [[Theatre Manager]]

2012-2013 Julia Brown

2011-2012 Gemma Bowes

2010-2011 Izzie Sullivan

2009-2010 Natalie Baumann

2008-2009 Alex 'Mal' Mead

== Technical Manager ==
The technical manager manages anything with a plug! They ensure that techies keep work safely and offers guidance on lighting and sound.

They should know how to use all the equipment in the building and seem to spend all their time changing bulbs… Their two main jobs through the year are tech directing/managing the fresher’s play and getting everything [[#Test, PAT (Portable Appliance Test)|PAT tested]].

The Tech Manager also ensures that all the lanterns and technical equipment work.

2012-2013 Lewis Eason

2011-2012 Neville Billimoria

2010-2011 Stuart Houston

2009-2010 Adam Alton

2008-2009 Ewan Connor

2007-2008 Neale Dutton

2006-2007 Xander Macmillan

2005-2006 Ruth Wilkinson

2004-2005 Heather Hanshaw

2003-2004 Lord James "Evil" Turner-Inman

2002-2003 Mr Matt Grey

2001-2002 David Watson

2000-2001 Graeme Timms

1999-2000 Neil E Hobbs

== Productions Manager ==

The Productions Manager facilitates communication between individual shows and the company as a whole. They decide on which slots are available and chair the meeting which decides which slot each show gets. Additionally, the Productions Manager chairs the casting meeting and oversees auditions. They also chair the creative company meeting every Monday after the company meeting.

They talk regularly with all the shows and should know exactly what’s happening in all shows. They communicate between shows and [[committee]]. They distribute [[Production Guidelines]] so that all producers know what to do.

2012-2013 Paul Hughes

2011-2012 Alex Fernandes

2010-2011 Ellie Chalmers

2009-2010 Will Green

2008-2009 Ben Davies

2007-2008 Fred Gordon

2006-2007 Ishbel MacFarlane

2005-2006 Alex Robertson

2004-2005 Timothy Goodwin

2003-2004 Miriam Raines

== Marketing Manager ==

The Marketing Manager oversees all publicated material and all external public communication, to ensure that the EUTC is always shown in the best-light possible. They proof all posters, programmes and fliers to enusre they are accurate and that they do not damage the EUTC or Bedlams Public image.

2012-2013 Celia Dugua

2011-2012 Mihaela Bodlovic

2010-2011 Zoe Brown

2009-2010 Camille Acosta

2008-2009 Alia Ainuddin

2007-2008 Nick Kay

2006-2007 Lily Kember

2005-2006 Chris Mounsey

2004-2005 Claire Glendenning

2003-2004 Idil Sukan

== Front of House Manager ==

The Front of House Manager makes sure that the Front of House area is tidy and looks good for arriving customers. They are in charge of staffing and ensure that every shows has the required number of staff. The make sure that the cafe has stock to sell. They ensure that the Committee know how to Committee Rep (v. important)

This person looks after the FoH areas including kitchen, they make sure the [[café]] and cleaning cupboard are kept stocked and that things get cleaned.

2012-2013 Caroline Doyle

2011-2012 Sarah Hilmy

2010-2011 Inga Rudzitis

2009-2010 Alex Cory

2008-2009 Chris Payne

2007-2008 Lauren McLeod

2006-2007 Hannah Myers

2005-2006 Heather Hanshaw

2004-2005 Lord James "Evil" Turner-Inman

2003-2004 Matt Grey

== Wardrobe Manager ==

The Wardrobe Manager has the glorious task of keeping the dressing room and costume cupboard clean and tidy. They also get to costume every show, with no notice and no budget. They often get locked in, as noone is ever aware that they are in the building.

2012-2013 Stacy Jansen

2011-2012 Rosie Curtis

2010-2011 Rosa Earp

2009-2010 Emily Jenkinson

2008-2009 Camille Acosta

2007-2008 Denise Wood

2006-2007 Colleen Patterson

2005-2006 Michael Whitham

2004-2005 Emma Allford (to Sept 2005) Michael Whitham (from September 2005)

2003-2004 Victoria Tills

== Entertainments Manager ==

The Entertainments Managers ultimate job is to organise the Bedlam Ball at the end of semester 2. In order to subsidise this they organise a number of events and parties throughout the year, which contribute to the funding.

2012-2013 Rachael Murray

2011-2012 Harriet Flitcroft

2010-2011 Paul Hughes

2009-2010 Michael Milne

2008-2009 Sam Hansford

2007-2008 George Thomas

2006-2007 Tom Paul

2005-2006 Kerri Hall

2004-2005 James Mutton

2003-2004 Natalie Raeched

== Venue Hire Manager ==

The Venue Hire manager facilitates communication between outside companies who wish to hire the venue throughout term time and the company. They organise contracts, dates and staffing for outside hires. They are also on hand to offer support to outside companies.

This position was abolished in 2010, outside hires are now the responsibility of the president and business manager

2009-2010 Nicola Hazelton

2008-2009 Fran Walker

2007-2008 Michael Whitham

2006-2007 Michael Whitham

2005-2006 Kati Hind

2004-2005 Idil Sukan

2003-2004 Jay Addriannse

== Fringe Venue Manager ==

The Fringe Venue Manager, is the only non- elected post. They are hired by the a panel comprising the Former Fringe Venue Manager, the President, a EUSA accounts representative and the EUSA VP- Services. Their term is usually January - January. They are responsible for hiring the Fringe Managers. They are also responsible for programming and communicating with the outside companies. They assume operational control of the theatre for the period June - August for the year they are hired and oversee the EUTC presence at the Fringe.

2012 Adam Alton

2011 Debbie Hicks

2010 Nicola Hazelton

2009 Sam Hansford

2008 Colleen Patterson

2007 Matt Wieteska

2006 Charlotte Jarvis

2005 Claire Glendenning

2004 Miriam Raines

2003 Cat Smith

2002 Graeme Timms

2001 Morven Pack

2000 Chloe Darlington

== Archivist ==

The Archivist, is responsible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam.

see also [[Archive]]

This position was moved to the [[Sub-Committee#Archivist|Sub-Committee]] in 2010.

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== IT Systems Manager ==

The IT Systems Manager is responsible for maintaining all aspects of the Bedlam Theatre Website as well as look after all the computer systems within the building.

2012-2013 Tom Turner

2011-2012 Lewis Eason

2010 - 2011 Ben Hussey

Bedlam Fringe

2012-07-01T09:54:15Z

Adam: /* Fringe 2012 */

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2012==

*Fringe Venue Manager: Adam Alton
*Theatre Manager: Ella Guest
*Technical Manager: Alex Morrison
*Press and Publicity Manager: Mihaela Bodlovic
*Front Of House Manager: Sarah Hilmy
*IT Manager: Lewis Eason
*Illustrator: Bronwen Bender
*Box Office Managers: Emma Connolly and Kirstyn Petras
*Cafe Managers: Bonnie C. Aspinwall and Katy McCalister

==Fringe 2011==

*Fringe Venue Manager: Debbie Hicks
*Theatre Manager: Izzie Sullivan
*Technical Manager: Stuart Houston
*Press and Publicity Manager: Camille Acosta
*Front Of House Manager: Inga Rudzitis
*Accounts Manager: Lisa Parr
*Graphic Designer: Camille Acosta
*Box Office Managers: Rosie Curtis and Serin Ibrahim
*Cafe Managers: Ailis Duff and Harriet Flitcroft

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Graphic Designer: Camille Acosta
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Graphic Designer: Nick Kay
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager: Matt Gray
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Bedlam Fringe

2012-07-01T09:54:01Z

Adam:

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2012==

*Fringe Venue Manager: Adam Altom
*Theatre Manager: Ella Guest
*Technical Manager: Alex Morrison
*Press and Publicity Manager: Mihaela Bodlovic
*Front Of House Manager: Sarah Hilmy
*IT Manager: Lewis Eason
*Illustrator: Bronwen Bender
*Box Office Managers: Emma Connolly and Kirstyn Petras
*Cafe Managers: Bonnie C. Aspinwall and Katy McCalister

==Fringe 2011==

*Fringe Venue Manager: Debbie Hicks
*Theatre Manager: Izzie Sullivan
*Technical Manager: Stuart Houston
*Press and Publicity Manager: Camille Acosta
*Front Of House Manager: Inga Rudzitis
*Accounts Manager: Lisa Parr
*Graphic Designer: Camille Acosta
*Box Office Managers: Rosie Curtis and Serin Ibrahim
*Cafe Managers: Ailis Duff and Harriet Flitcroft

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Graphic Designer: Camille Acosta
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Graphic Designer: Nick Kay
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager: Matt Gray
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Committee

2011-11-27T02:17:16Z

Adam: /* Theatre Manager */

The EUTC is administered by a permanent Committee of 13 members. They are; the [[Committee#President|President]], [[Committee#Secretary|Secretary]], [[Committee#Business Manager|Business]], [[Committee#Theatre Manager|Theatre]], [[Committee#Set Manager|Set]], [[Committee#Technical Manager|Technical]], [[Committee#Productions Manager|Productions]], [[Committee#Marketing Manager|Marketing]], [[Committee#Front of House Manager|Front of House]], [[Committee#Wardrobe Manager|Wardrobe]], [[Committee#Entertainments Manager|Entertainments]], [[Committee#IT Systems Manager|IT Systems Manager]] and [[Committee#Fringe Venue Manager|Fringe Venue Manager]]. It is the role of the Committee to administer the EUTC and to ensure the smooth running of the theatre. The Committee are elected at the AGM (usually at the end of February) to serve the period April 1- March 31st. There is also a [[Sub-Committee]] who help with other aspects of Bedlam.

:See also: [[Non-Committee Positions]]

== President ==

It is the role of the President to chair meetings and to oversee the work of the committee and the general management of the Company. The President should remain impartial and always act in the best long term interest of the EUTC. The President is also required to keep the Company Office tidy.

2011-2012 Inga Rudzitis

2010-2011 Camille Acosta

2009-2010 Fran Walker

2008-2009 Lauren McLeod

2007-2008 Lucy Jackson

2006-2007 James Mutton

2005-2006 Miriam Raines

2004-2005 Matt Gray

2003-2004 Rebekah Stackhouse

2002-2003 Natalie Adzic

== Business Manager ==

It is the role of the Business Manager to maintain the accounts and to facilitate communication between the EUTC and EUSAs Accounts department. The Business Manager is a cheques signatory. The oversee all spending and ensure that shows don't go over budget.

2011-2012 Adam Alton

2010-2011 Amy Brewer

2009-2010 Zoe Brown

2008-2009 Colleen Patterson

2007-2008 Lara-Ann de Wet

2006-2007 Fran Rooney

2005-2006 James Mutton

2004-2005 Victoria Tills

2003-2004 Rachel Mountfield

== Secretary ==

The Secretary is responsible for all of the administrative leg-work of the EUTC. They keep minutes of all meetings and makes rehearsal schedules.

2011-2012 Ella Guest

2010-2011 Camilla Born

2009-2010 Ellen Gledhill

2008-2009 Amy Brewer

2007-2008 Fran Walker

2006-2007 Helena Larkin

2005-2006 Becky Hill (until Dec. 2005) Emma Drage (from Dec. 2005)

2004-2005 Emma Drage

2003-2004 Alex Howard

== Theatre Manager ==

The Theatre Manager is responsible for the day to day running of the theatre, They ensure that all sets are safe. The ensure that the theatre is safe and that there are no obvious fire/ health and safety problems. They also maintain the building, doing small amounts of repair work. They also facilitate communication with the works department over the more serious repair works. The Theatre Manager maintains a TM Handbook which keeps up-to-date info about the building. The Theatre Manager is named on the License as the 'Responsible Manager' as such legally, the buck stops with them.
see also [[Theatre Manager- Job Description]]

2011-2012 Pierre Pecheux

2010-2011 Adam Alton

2009-2010 Roz Perkins

2008-2009 Cat Hobart

2007-2008 Kerry O'Herlihy

2006-2007 Dave Larking

2005-2006 Alex Engel

2004-2005 Tom Latter

2003-2004 Kati Hind

2002-2003 Jay Adriaanse

== Set Manager ==

The position of Set Manager was created at the end of 2007 to relieve some pressure from the [[Theatre Manager]]. The Set Manager is responsible for all communications with show [[stage manager]]s, responsible for all [[set]] (on the [[balconies]]) and tidiness and resources of the [[workshop]]. The Set Manager is directly responsible to the [[Theatre Manager]]

2011-2012 Gemma Bowes

2010-2011 Izzie Sullivan

2009-2010 Natalie Baumann

2008-2009 Alex 'Mal' Mead

== Technical Manager ==
The technical manager manages anything with a plug! They ensure that techies keep work safely and offers guidance on lighting and sound.

They should know how to use all the equipment in the building and seem to spend all their time changing bulbs… Their two main jobs through the year are tech directing/managing the fresher’s play and getting everything [[#Test, PAT (Portable Appliance Test)|PAT tested]].

The Tech Manager also ensures that all the lanterns and technical equipment work.

2011-2012 Neville Billimoria

2010-2011 Stuart Houston

2009-2010 Adam Alton

2008-2009 Ewan Connor

2007-2008 Neale Dutton

2006-2007 Xander Macmillan

2005-2006 Ruth Wilkinson

2004-2005 Heather Hanshaw

2003-2004 Lord James "Evil" Turner-Inman

2002-2003 Mr Matt Grey

2001-2002 David Watson

2000-2001 Graeme Timms

1999-2000 Neil E Hobbs

== Productions Manager ==

The Productions Manager facilitates communication between individual shows and the company as a whole. They decide on which slots are available and chair the meeting which decides which slot each show gets. Additionally, the Productions Manager chairs the casting meeting and oversees auditions. They also chair the creative company meeting every Monday after the company meeting.

They talk regularly with all the shows and should know exactly what’s happening in all shows. They communicate between shows and [[committee]]. They distribute [[Production Guidelines]] so that all producers know what to do.

2011-2012 Alex Fernandes

2010-2011 Ellie Chalmers

2009-2010 Will Green

2008-2009 Ben Davies

2007-2008 Fred Gordon

2006-2007 Ishbel MacFarlane

2005-2006 Alex Robertson

2004-2005 Timothy Goodwin

2003-2004 Miriam Raines

== Marketing Manager ==

The Marketing Manager oversees all publicated material and all external public communication, to ensure that the EUTC is always shown in the best-light possible. They proof all posters, programmes and fliers to enusre they are accurate and that they do not damage the EUTC or Bedlams Public image.

2011-2012 Mihaela Bodlovic

2010-2011 Zoe Brown

2009-2010 Camille Acosta

2008-2009 Alia Ainuddin

2007-2008 Nick Kay

2006-2007 Lily Kember

2005-2006 Chris Mounsey

2004-2005 Claire Glendenning

2003-2004 Idil Sukan

== Front of House Manager ==

The Front of House Manager makes sure that the Front of House area is tidy and looks good for arriving customers. They are in charge of staffing and ensure that every shows has the required number of staff. The make sure that the cafe has stock to sell. They ensure that the Committee know how to Committee Rep (v. important)

This person looks after the FoH areas including kitchen, they make sure the [[café]] and cleaning cupboard are kept stocked and that things get cleaned.

2011-2012 Sarah Hilmy

2010-2011 Inga Rudzitis

2009-2010 Alex Cory

2008-2009 Chris Payne

2007-2008 Lauren McLeod

2006-2007 Hannah Myers

2005-2006 Heather Hanshaw

2004-2005 Lord James "Evil" Turner-Inman

2003-2004 Matt Grey

== Wardrobe Manager ==

The Wardrobe Manager has the glorious task of keeping the dressing room and costume cupboard clean and tidy. They also get to costume every show, with no notice and no budget. They often get locked in, as noone is ever aware that they are in the building.

2011-2012 Rosie Curtis

2010-2011 Rosa Earp

2009-2010 Emily Jenkinson

2008-2009 Camille Acosta

2007-2008 Denise Wood

2006-2007 Colleen Patterson

2005-2006 Michael Whitham

2004-2005 Emma Allford (to Sept 2005) Michael Whitham (from September 2005)

2003-2004 Victoria Tills

== Entertainments Manager ==

The Entertainments Managers ultimate job is to organise the Bedlam Ball at the end of semester 2. In order to subsidise this they organise a number of events and parties throughout the year, which contribute to the funding.

2011-2012 Harriet Flitcroft

2010-2011 Paul Hughes

2009-2010 Michael Milne

2008-2009 Sam Hansford

2007-2008 George Thomas

2006-2007 Tom Paul

2005-2006 Kerri Hall

2004-2005 James Mutton

2003-2004 Natalie Raeched

== Venue Hire Manager ==

The Venue Hire manager facilitates communication between outside companies who wish to hire the venue throughout term time and the company. They organise contracts, dates and staffing for outside hires. They are also on hand to offer support to outside companies.

This position was abolished in 2010, outside hires are now the responsibility of the president and business manager

2009-2010 Nicola Hazelton

2008-2009 Fran Walker

2007-2008 Michael Whitham

2006-2007 Michael Whitham

2005-2006 Kati Hind

2004-2005 Idil Sukan

2003-2004 Jay Addriannse

== Fringe Venue Manager ==

The Fringe Venue Manager, is the only non- elected post. They are hired by the a panel comprising the Former Fringe Venue Manager, the President, a EUSA accounts representative and the EUSA VP- Services. Their term is usually January - January. They are responsible for hiring the Fringe Managers. They are also responsible for programming and communicating with the outside companies. They assume operational control of the theatre for the period June - August for the year they are hired and oversee the EUTC presence at the Fringe.

2011 Debbie Hicks

2010 Nicola Hazelton

2009 Sam Hansford

2008 Colleen Patterson

2007 Matt Wieteska

2006 Charlotte Jarvis

2005 Claire Glendenning

2004 Miriam Raines

2003 Cat Smith

2002 Graeme Timms

2001 Morven Pack

2000 Chloe Darlington

== Archivist ==

The Archivist, is responsible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam.

see also [[Archive]]

This position was moved to the [[Sub-Committee#Archivist|Sub-Committee]] in 2010.

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== IT Systems Manager ==

The IT Systems Manager is responsible for maintaining all aspects of the Bedlam Theatre Website as well as look after all the computer systems within the building.

2011-2012 Lewis Eason

2010 - 2011 Ben Hussey

Bedlam Fringe

2011-11-27T02:14:25Z

Adam: /* Fringe 2011 */

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2011==

*Fringe Venue Manager: Debbie Hicks
*Theatre Manager: Izzie Sullivan
*Technical Manager: Stuart Houston
*Press and Publicity Manager: Camille Acosta
*Front Of House Manager: Inga Rudzitis
*Accounts Manager: Lisa Parr
*Graphic Designer: Camille Acosta
*Box Office Managers: Rosie Curtis and Serin Ibrahim
*Cafe Managers: Ailis Duff and Harriet Flitcroft

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Graphic Designer: Camille Acosta
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Graphic Designer: Nick Kay
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager: Matt Gray
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Bedlam Fringe

2011-11-27T02:14:10Z

Adam: /* Fringe 2010 */

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2011==

*Fringe Venue Manager: Debbie Hicks
*Theatre Manager: Izzie Sullivan
*Technical Manager: Stuart Houston
*Press and Publicity Manager: Camille Acosta
*Front Of House Manager: Inga Rudzitis
*Accounts Manager: Lisa Parr
*Box Office Managers: Rosie Curtis and Serin Ibrahim
*Cafe Managers: Ailis Duff and Harriet Flitcroft

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Graphic Designer: Camille Acosta
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Graphic Designer: Nick Kay
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager: Matt Gray
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Bedlam Fringe

2011-11-27T02:13:40Z

Adam: /* Fringe 2009 */

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2011==

*Fringe Venue Manager: Debbie Hicks
*Theatre Manager: Izzie Sullivan
*Technical Manager: Stuart Houston
*Press and Publicity Manager: Camille Acosta
*Front Of House Manager: Inga Rudzitis
*Accounts Manager: Lisa Parr
*Box Office Managers: Rosie Curtis and Serin Ibrahim
*Cafe Managers: Ailis Duff and Harriet Flitcroft

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Graphic Designer: Nick Kay
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager: Matt Gray
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Committee

2011-03-20T10:06:05Z

Adam:

The EUTC is administered by a permanent Committee of 13 members. They are; the [[Committee#President|President]], [[Committee#Secretary|Secretary]], [[Committee#Business Manager|Business]], [[Committee#Theatre Manager|Theatre]], [[Committee#Set Manager|Set]], [[Committee#Technical Manager|Technical]], [[Committee#Productions Manager|Productions]], [[Committee#Marketing Manager|Marketing]], [[Committee#Front of House Manager|Front of House]], [[Committee#Wardrobe Manager|Wardrobe]], [[Committee#Entertainments Manager|Entertainments]], [[Committee#IT Systems Manager|IT Systems Manager]] and [[Committee#Fringe Venue Manager|Fringe Venue Manager]]. It is the role of the Committee to administer the EUTC and to ensure the smooth running of the theatre. The Committee are elected at the AGM (usually at the end of February) to serve the period April 1- March 31st. There is also a [[Sub-Committee]] who help with other aspects of Bedlam.

:See also: [[Non-Committee Positions]]

== President ==

It is the role of the President to chair meetings and to oversee the work of the committee and the general management of the Company. The President should remain impartial and always act in the best long term interest of the EUTC. The President is also required to keep the Company Office tidy.

2011-2012 Inga Rudzitis

2010-2011 Camille Acosta

2009-2010 Fran Walker

2008-2009 Lauren McLeod

2007-2008 Lucy Jackson

2006-2007 James Mutton

2005-2006 Miriam Raines

2004-2005 Matt Gray

2003-2004 Rebekah Stackhouse

2002-2003 Natalie Adzic

== Business Manager ==

It is the role of the Business Manager to maintain the accounts and to facilitate communication between the EUTC and EUSAs Accounts department. The Business Manager is a cheques signatory. The oversee all spending and ensure that shows don't go over budget.

2011-2012 Adam Alton

2010-2011 Amy Brewer

2009-2010 Zoe Brown

2008-2009 Colleen Patterson

2007-2008 Lara-Ann de Wet

2006-2007 Fran Rooney

2005-2006 James Mutton

2004-2005 Victoria Tills

2003-2004 Rachel Mountfield

== Secretary ==

The Secretary is responsible for all of the administrative leg-work of the EUTC. They keep minutes of all meetings and makes rehearsal schedules.

2011-2012 Ella Guest

2010-2011 Camilla Born

2009-2010 Ellen Gledhill

2008-2009 Amy Brewer

2007-2008 Fran Walker

2006-2007 Helena Larkin

2005-2006 Becky Hill (until Dec. 2005) Emma Drage (from Dec. 2005)

2004-2005 Emma Drage

2003-2004 Alex Howard

== Theatre Manager ==

The Theatre Manager is responsible for the day to day running of the theatre, They ensure that all sets are safe. The ensure that the theatre is safe and that there are no obvious fire/ health and safety problems. They also maintain the building, doing small amounts of repair work. They also facilitate communication with the works department over the more serious repair works. The Theatre Manager maintains a TM Handbook which keeps up-to-date info about the building. The Theatre Manager is named on the License as the 'Responsible Manager' as such legally, the buck stops with them.
see also [[Theatre Manager- Job Description]]

2011-2012 ?

2010-2011 Adam Alton

2009-2010 Roz Perkins

2008-2009 Cat Hobart

2007-2008 Kerry O'Herlihy

2006-2007 Dave Larking

2005-2006 Alex Engel

2004-2005 Tom Latter

2003-2004 Kati Hind

2002-2003 Jay Adriaanse

== Set Manager ==

The position of Set Manager was created at the end of 2007 to relieve some pressure from the [[Theatre Manager]]. The Set Manager is responsible for all communications with show [[stage manager]]s, responsible for all [[set]] (on the [[balconies]]) and tidiness and resources of the [[workshop]]. The Set Manager is directly responsible to the [[Theatre Manager]]

2011-2012 Gemma Bowes

2010-2011 Izzie Sullivan

2009-2010 Natalie Baumann

2008-2009 Alex 'Mal' Mead

== Technical Manager ==
The technical manager manages anything with a plug! They ensure that techies keep work safely and offers guidance on lighting and sound.

They should know how to use all the equipment in the building and seem to spend all their time changing bulbs… Their two main jobs through the year are tech directing/managing the fresher’s play and getting everything [[#Test, PAT (Portable Appliance Test)|PAT tested]].

The Tech Manager also ensures that all the lanterns and technical equipment work.

2011-2012 Neville Billimoria

2010-2011 Stuart Houston

2009-2010 Adam Alton

2008-2009 Ewan Connor

2007-2008 Neale Dutton

2006-2007 Xander Macmillan

2005-2006 Ruth Wilkinson

2004-2005 Heather Hanshaw

2003-2004 Lord James "Evil" Turner-Inman

2002-2003 Mr Matt Grey

2001-2002 David Watson

2000-2001 Graeme Timms

1999-2000 Neil E Hobbs

== Productions Manager ==

The Productions Manager facilitates communication between individual shows and the company as a whole. They decide on which slots are available and chair the meeting which decides which slot each show gets. Additionally, the Productions Manager chairs the casting meeting and oversees auditions. They also chair the creative company meeting every Monday after the company meeting.

They talk regularly with all the shows and should know exactly what’s happening in all shows. They communicate between shows and [[committee]]. They distribute [[Production Guidelines]] so that all producers know what to do.

2011-2012 Alex Fernandes

2010-2011 Ellie Chalmers

2009-2010 Will Green

2008-2009 Ben Davies

2007-2008 Fred Gordon

2006-2007 Ishbel MacFarlane

2005-2006 Alex Robertson

2004-2005 Timothy Goodwin

2003-2004 Miriam Raines

== Marketing Manager ==

The Marketing Manager oversees all publicated material and all external public communication, to ensure that the EUTC is always shown in the best-light possible. They proof all posters, programmes and fliers to enusre they are accurate and that they do not damage the EUTC or Bedlams Public image.

2011-2012 Mihaela Bodlovic

2010-2011 Zoe Brown

2009-2010 Camille Acosta

2008-2009 Alia Ainuddin

2007-2008 Nick Kay

2006-2007 Lily Kember

2005-2006 Chris Mounsey

2004-2005 Claire Glendenning

2003-2004 Idil Sukan

== Front of House Manager ==

The Front of House Manager makes sure that the Front of House area is tidy and looks good for arriving customers. They are in charge of staffing and ensure that every shows has the required number of staff. The make sure that the cafe has stock to sell. They ensure that the Committee know how to Committee Rep (v. important)

This person looks after the FoH areas including kitchen, they make sure the [[café]] and cleaning cupboard are kept stocked and that things get cleaned.

2011-2012 Sarah Hilmy

2010-2011 Inga Rudzitis

2009-2010 Alex Cory

2008-2009 Chris Payne

2007-2008 Lauren McLeod

2006-2007 Hannah Myers

2005-2006 Heather Hanshaw

2004-2005 Lord James "Evil" Turner-Inman

2003-2004 Matt Grey

== Wardrobe Manager ==

The Wardrobe Manager has the glorious task of keeping the dressing room and costume cupboard clean and tidy. They also get to costume every show, with no notice and no budget. They often get locked in, as noone is ever aware that they are in the building.

2011-2012 Rosie Curtis

2010-2011 Rosa Earp

2009-2010 Emily Jenkinson

2008-2009 Camille Acosta

2007-2008 Denise Wood

2006-2007 Colleen Patterson

2005-2006 Michael Whitham

2004-2005 Emma Allford (to Sept 2005) Michael Whitham (from September 2005)

2003-2004 Victoria Tills

== Entertainments Manager ==

The Entertainments Managers ultimate job is to organise the Bedlam Ball at the end of semester 2. In order to subsidise this they organise a number of events and parties throughout the year, which contribute to the funding.

2011-2012 Harriet Flitcroft

2010-2011 Paul Hughes

2009-2010 Michael Milne

2008-2009 Sam Hansford

2007-2008 George Thomas

2006-2007 Tom Paul

2005-2006 Kerri Hall

2004-2005 James Mutton

2003-2004 Natalie Raeched

== Venue Hire Manager ==

The Venue Hire manager facilitates communication between outside companies who wish to hire the venue throughout term time and the company. They organise contracts, dates and staffing for outside hires. They are also on hand to offer support to outside companies.

This position was abolished in 2010, outside hires are now the responsibility of the president and business manager

2009-2010 Nicola Hazelton

2008-2009 Fran Walker

2007-2008 Michael Whitham

2006-2007 Michael Whitham

2005-2006 Kati Hind

2004-2005 Idil Sukan

2003-2004 Jay Addriannse

== Fringe Venue Manager ==

The Fringe Venue Manager, is the only non- elected post. They are hired by the a panel comprising the Former Fringe Venue Manager, the President, a EUSA accounts representative and the EUSA VP- Services. Their term is usually January - January. They are responsible for hiring the Fringe Managers. They are also responsible for programming and communicating with the outside companies. They assume operational control of the theatre for the period June - August for the year they are hired and oversee the EUTC presence at the Fringe.

2011 Debbie Hicks

2010 Nicola Hazelton

2009 Sam Hansford

2008 Colleen Patterson

2007 Matt Wieteska

2006 Charlotte Jarvis

2005 Claire Glendenning

2004 Miriam Raines

2003 Cat Smith

2002 Graeme Timms

2001 Morven Pack

2000 Chloe Darlington

== Archivist ==

The Archivist, is responsible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam.

see also [[Archive]]

This position was moved to the [[Sub-Committee#Archivist|Sub-Committee]] in 2010.

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== IT Systems Manager ==

The IT Systems Manager is responsible for maintaining all aspects of the Bedlam Theatre Website as well as look after all the computer systems within the building.

2011-2012 Lewis Eason

2010 - 2011 Ben Hussey

Bedlam Fringe

2011-03-20T10:05:38Z

Adam:

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2011==

*Fringe Venue Manager: Debbie Hicks
*Theatre Manager: Izzie Sullivan
*Technical Manager: Stuart Houston
*Press and Publicity Manager: Camille Acosta
*Front Of House Manager: Inga Rudzitis
*Accounts Manager: Lisa Parr
*Box Office Managers: Rosie Curtis and Serin Ibrahim
*Cafe Managers: Ailis Duff and Harriet Flitcroft

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager:
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Bedlam Fringe

2011-03-20T10:05:19Z

Adam:

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2011==

*Fringe Venue Manager: Debbie Hicks
*Theatre Manager: Izzie Sullivan
*Technical Manager: Stuart Houston
*Press and Publicity Manager: Camille Acosta
*Front Of House Manager: Inga Rudzitis
*Accounts Manager: Lisa Parr
*Box Office Managers: Rosie Curtis and Serin Ibrahim
*Cafe Managers: Ailis Duff and Harriet Flitcroft

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager:
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Sub-Committee

2011-03-20T09:58:37Z

Adam:

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, this team became known as the sub-committee, it consists of the [[Sub-Committee#Archivist|Archivist]], the [[Sub-Committee#Librarian|Librarian]] and the [[Sub-Committee#Youth Project Co-Ordinator|Youth Project Co-Ordinator]].

==Archivist==

The Archivist, is resposible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam. Up until the 2010 AGM, archivist was a committee position.

see also [[Archive]]

2011-2012 Athina Kefalopoulos

2010-2011 Sally Gascoigne

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2011-2012 Callum O'Dwyer

2010-2011 Alex "Fernie" Fernandes

2009-2010 Neville Billimoria

2007-2009 Felix Trench

== Youth Project Co-Ordinator ==

Youth Project or Bedlam Theatre Youth Project is EUTC's community outreach project as stipulated in the constitution. The youth project holds voluntary free workshops for young people of school age on a range of theatre based subjects. Since 2006 there have been changes in legislation that have caused problems with holding workshops with young people in the building.
However, the 2008 team found a way around this and held workshops in schools.

see also [[Youth project]]

2011-2012 Ellen Gledhill

2010-2011 Susanna Grenga

2009-2010 Neville Billimoria

2008-2009 Helena Larkin

 [http://www.bedlamyouthproject.org.uk Bedlam Youth Project Website]

Committee

2011-03-20T09:57:20Z

Adam:

The EUTC is administered by a permanent Committee of 13 members. They are; the [[Committee#President|President]], [[Committee#Secretary|Secretary]], [[Committee#Business Manager|Business]], [[Committee#Theatre Manager|Theatre]], [[Committee#Set Manager|Set]], [[Committee#Technical Manager|Technical]], [[Committee#Productions Manager|Productions]], [[Committee#Marketing Manager|Marketing]], [[Committee#Front of House Manager|Front of House]], [[Committee#Wardrobe Manager|Wardrobe]], [[Committee#Entertainments Manager|Entertainments]], [[Committee#IT Systems Manager|IT Systems Manager]] and [[Committee#Fringe Venue Manager|Fringe Venue Manager]]. It is the role of the Committee to administer the EUTC and to ensure the smooth running of the theatre. The Committee are elected at the AGM (usually at the end of February) to serve the period April 1- March 31st. There is also a [[Sub-Committee]] who help with other aspects of Bedlam.

:See also: [[Non-Committee Positions]]

== President ==

It is the role of the President to chair meetings and to oversee the work of the committee and the general management of the Company. The President should remain impartial and always act in the best long term interest of the EUTC. The President is also required to keep the Company Office tidy.

2011-2012 Inga Rudzitis

2010-2011 Camille Acosta

2009-2010 Fran Walker

2008-2009 Lauren McLeod

2007-2008 Lucy Jackson

2006-2007 James Mutton

2005-2006 Miriam Raines

2004-2005 Matt Gray

2003-2004 Rebekah Stackhouse

2002-2003 Natalie Adzic

== Business Manager ==

It is the role of the Business Manager to maintain the accounts and to facilitate communication between the EUTC and EUSAs Accounts department. The Business Manager is a cheques signatory. The oversee all spending and ensure that shows don't go over budget.

2011-2012 Adam Alton

2010-2011 Amy Brewer

2009-2010 Zoe Brown

2008-2009 Colleen Patterson

2007-2008 Lara-Ann de Wet

2006-2007 Fran Rooney

2005-2006 James Mutton

2004-2005 Victoria Tills

2003-2004 Rachel Mountfield

== Secretary ==

The Secretary is responsible for all of the administrative leg-work of the EUTC. They keep minutes of all meetings and makes rehearsal schedules.

2011-2012 Ella Guest

2010-2011 Camilla Born

2009-2010 Ellen Gledhill

2008-2009 Amy Brewer

2007-2008 Fran Walker

2006-2007 Helena Larkin

2005-2006 Becky Hill (until Dec. 2005) Emma Drage (from Dec. 2005)

2004-2005 Emma Drage

2003-2004 Alex Howard

== Theatre Manager ==

The Theatre Manager is responsible for the day to day running of the theatre, They ensure that all sets are safe. The ensure that the theatre is safe and that there are no obvious fire/ health and safety problems. They also maintain the building, doing small amounts of repair work. They also facilitate communication with the works department over the more serious repair works. The Theatre Manager maintains a TM Handbook which keeps up-to-date info about the building. The Theatre Manager is named on the License as the 'Responsible Manager' as such legally, the buck stops with them.
see also [[Theatre Manager- Job Description]]

2011-2012 ?

2010-2011 Adam Alton

2009-2010 Roz Perkins

2008-2009 Cat Hobart

2007-2008 Kerry O'Herlihy

2006-2007 Dave Larking

2005-2006 Alex Engel

2004-2005 Tom Latter

2003-2004 Kati Hind

2002-2003 Jay Adriaanse

== Set Manager ==

The position of Set Manager was created at the end of 2007 to relieve some pressure from the [[Theatre Manager]]. The Set Manager is responsible for all communications with show [[stage manager]]s, responsible for all [[set]] (on the [[balconies]]) and tidiness and resources of the [[workshop]]. The Set Manager is directly responsible to the [[Theatre Manager]]

2011-2012 Gemma Bowes

2010-2011 Izzie Sullivan

2009-2010 Natalie Baumann

2008-2009 Alex 'Mal' Mead

== Technical Manager ==
The technical manager manages anything with a plug! They ensure that techies keep work safely and offers guidance on lighting and sound.

They should know how to use all the equipment in the building and seem to spend all their time changing bulbs… Their two main jobs through the year are tech directing/managing the fresher’s play and getting everything [[#Test, PAT (Portable Appliance Test)|PAT tested]].

The Tech Manager also ensures that all the lanterns and technical equipment work.

2011-2012 Neville Billimoria

2010-2011 Stuart Houston

2009-2010 Adam Alton

2008-2009 Ewan Connor

2007-2008 Neale Dutton

2006-2007 Xander Macmillan

2005-2006 Ruth Wilkinson

2004-2005 Heather Hanshaw

2003-2004 Lord James "Evil" Turner-Inman

2002-2003 Mr Matt Grey

2001-2002 David Watson

2000-2001 Graeme Timms

1999-2000 Neil E Hobbs

== Productions Manager ==

The Productions Manager facilitates communication between individual shows and the company as a whole. They decide on which slots are available and chair the meeting which decides which slot each show gets. Additionally, the Productions Manager chairs the casting meeting and oversees auditions. They also chair the creative company meeting every Monday after the company meeting.

They talk regularly with all the shows and should know exactly what’s happening in all shows. They communicate between shows and [[committee]]. They distribute [[Production Guidelines]] so that all producers know what to do.

2011-2012 Alex Fernandes

2010-2011 Ellie Chalmers

2009-2010 Will Green

2008-2009 Ben Davies

2007-2008 Fred Gordon

2006-2007 Ishbel MacFarlane

2005-2006 Alex Robertson

2004-2005 Timothy Goodwin

2003-2004 Miriam Raines

== Marketing Manager ==

The Marketing Manager oversees all publicated material and all external public communication, to ensure that the EUTC is always shown in the best-light possible. They proof all posters, programmes and fliers to enusre they are accurate and that they do not damage the EUTC or Bedlams Public image.

2011-2012 Mihaela Bodlovic

2010-2011 Zoe Brown

2009-2010 Camille Acosta

2008-2009 Alia Ainuddin

2007-2008 Nick Kay

2006-2007 Lily Kember

2005-2006 Chris Mounsey

2004-2005 Claire Glendenning

2003-2004 Idil Sukan

== Front of House Manager ==

The Front of House Manager makes sure that the Front of House area is tidy and looks good for arriving customers. They are in charge of staffing and ensure that every shows has the required number of staff. The make sure that the cafe has stock to sell. They ensure that the Committee know how to Committee Rep (v. important)

This person looks after the FoH areas including kitchen, they make sure the [[café]] and cleaning cupboard are kept stocked and that things get cleaned.

2011-2012 Sarah Hilmy

2010-2011 Inga Rudzitis

2009-2010 Alex Cory

2008-2009 Chris Payne

2007-2008 Lauren McLeod

2006-2007 Hannah Myers

2005-2006 Heather Hanshaw

2004-2005 Lord James "Evil" Turner-Inman

2003-2004 Matt Grey

== Wardrobe Manager ==

The Wardrobe Manager has the glorious task of keeping the dressing room and costume cupboard clean and tidy. They also get to costume every show, with no notice and no budget. They often get locked in, as noone is ever aware that they are in the building.

2011-2012 Rosie Curtis

2010-2011 Rosa Earp

2009-2010 Emily Jenkinson

2008-2009 Camille Acosta

2007-2008 Denise Wood

2006-2007 Colleen Patterson

2005-2006 Michael Whitham

2004-2005 Emma Allford (to Sept 2005) Michael Whitham (from September 2005)

2003-2004 Victoria Tills

== Entertainments Manager ==

The Entertainments Managers ultimate job is to organise the Bedlam Ball at the end of semester 2. In order to subsidise this they organise a number of events and parties throughout the year, which contribute to the funding.

2011-2012 Hariet Flitcroft

2010-2011 Paul Hughes

2009-2010 Michael Milne

2008-2009 Sam Hansford

2007-2008 George Thomas

2006-2007 Tom Paul

2005-2006 Kerri Hall

2004-2005 James Mutton

2003-2004 Natalie Raeched

== Venue Hire Manager ==

The Venue Hire manager facilitates communication between outside companies who wish to hire the venue throughout term time and the company. They organise contracts, dates and staffing for outside hires. They are also on hand to offer support to outside companies.

This position was abolished in 2010, outside hires are now the responsibility of the president and business manager

2009-2010 Nicola Hazelton

2008-2009 Fran Walker

2007-2008 Michael Whitham

2006-2007 Michael Whitham

2005-2006 Kati Hind

2004-2005 Idil Sukan

2003-2004 Jay Addriannse

== Fringe Venue Manager ==

The Fringe Venue Manager, is the only non- elected post. They are hired by the a panel comprising the Former Fringe Venue Manager, the President, a EUSA accounts representative and the EUSA VP- Services. Their term is usually January - January. They are responsible for hiring the Fringe Managers. They are also responsible for programming and communicating with the outside companies. They assume operational control of the theatre for the period June - August for the year they are hired and oversee the EUTC presence at the Fringe.

2011 Debbie Hicks

2010 Nicola Hazelton

2009 Sam Hansford

2008 Colleen Patterson

2007 Matt Wieteska

2006 Charlotte Jarvis

2005 Claire Glendenning

2004 Miriam Raines

2003 Cat Smith

2002 Graeme Timms

2001 Morven Pack

2000 Chloe Darlington

== Archivist ==

The Archivist, is responsible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam.

see also [[Archive]]

This position was moved to the [[Sub-Committee#Archivist|Sub-Committee]] in 2010.

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== IT Systems Manager ==

The IT Systems Manager is responsible for maintaining all aspects of the Bedlam Theatre Website as well as look after all the computer systems within the building.

2011-2012 Lewis Eason

2010 - 2011 Ben Hussey

Guide to Building

2010-07-16T23:25:28Z

Adam: /* The Ogg Office */

[[Category:The Building]][[Category:TheatreManagersManual]]
{{OutofDate}}

This page is a quick guide to the different parts of the building we call our <strike>home</strike> theatre. It is worth noting that theb building has a [[Historic Scotland Listing]], meaning we can't or rather are not allowed to destroy it.

== Main Office ==
[[Image:mainOffice.jpg|thumb|right]]
The Main Office is the responsibility of the '''[[President]]''' to keep tidy,

Stocking the desk the responsibility of the '''[[Secretary]]'''.

The phone on the desk is technically the responsibility of the '''[[Business Manager]]''', but it is useful to know about the cables. The main cable coming in is actually 2 phone lines, with the office phone (225 9873) splitting to the [[tech box]] and FoH, it takes some work to get the lines working when you move the phone and the codes tend to stop working. The Other line feeds to the [[box office]] (225 9893) to a handset which will not allow outgoing calls.

Each [[Committee]] member is assigned a pigeon hole and should check them regularly.

The Gas Stopcock cupboard should never be locked or blocked by stuff.

It is not sensible to allow office furniture on stage (More hassle than it's worth) and apparently at some stage a motion was passed forbidding it although this motion seems to have fallen out of the [[constitution]] since.

There are two filing cabinets with who owns what drawer clearly marked, the [[Theatre Manager]]'s drawer is a good place for keeping paperwork, gaffa, a pair of rubber gloves (don't ask) and a torch.

The [[committee]] pigeon holes are useful for keeping current information in.

The other cupboard contains the heating boiler and the [[works department]] have an annoying tendency to lock it. High up on the left hand wall of this cupboard is a door which gives access to a cold water tank which used to feed a toilet and sink in the cupboard before the boiler was installed. Now it just feeds the sink in the paint cupboard.

The FoH [[panic alarm]] makes a blue light flash in the office when activated. If this happens sprint to the [[box office]] with a bit of scaff or something similar.

The floor was sanded and varnished for [[fringe]] 2001.

[[Internet Connection]]

== The Ogg Office ==

This office, formally known as the accountants office, is the responsibility of the [[Business Manager]]. It is always locked, and where the accounts are stored. The [[President]], [[Business Manager]], [[Secretary]] and [[Theatre Manager]] are the only people that hold keys to this office.

== Paint Cupboard ==

'''Outline'''

The paint cupboard should contain matt black paint, matt white paint, varnish, paint brushes, rollers and trays, white spirit, meths, buckets, mop, dustpan and brush, soap, putty, polyfilla, glue, wallpaper paste and flamcheck. The important ones being matt black paint and flamcheck.

'''Responsibilities'''

The paint cupboard falls under the responsibility of the [[Set Manager]] however they should not be expected to clean it except for a couple of major clear outs a year.

Each show is responsible for the condition of the paint cupboard during their run. They should keep it as clean and organised as possible and should also clean it at their maintenance session.

'''Regulations'''

The door should be locked.

Shows obviously need access to it on a regular basis so the [[stage manager]] may be entrusted with a key by the [[Set Manager]].

'''History'''

The sink in the paint cupboard was installed when the boiler was installed in Spring 1991 and the one in the office was torn out. The small cupboard on the left where the nasty paint in the red tins is kept used to contain the gas meter until it was moved during the boiler installation. This has a Coded Padlock the code to which is 123 and should allow the more dangerous items to kept from [[actor]]s and the like.

== Side Entrance and Entrance Hall ==
[[Image:side entrance.jpg|thumb|right]]

This is the primary entrance and exit to the building when the building is closed to the public.

The side door must always be locked so as to not let tramps and thieves into the building. When you are the last person out the building make sure you turn all the lights off!

The [[doorbell]] on the side door feeds to a switch on the wall, the switch will swap the doorbell between the loud ringer in the auditorium and a quiet buzzer. Very few people know what the buzzer sounds like and often will sit by the door and not answer it. Normally the buzzer is only used for tech and dress rehearsals. There is an appendix which contains more information on the doorbell system. The doorbell can also be switched off from the [[tech box]].

'''Fuse Cupboard'''

In the side entrance hall, to the right of the door as you come in is a cupboard that contains most of the fuses for the building.

On the left hand side (Facing the [[auditorium]]) are the trips for (Counting along from the left) (needs updated).
On the right hand side are the trips for: (needs updated).

The important switches are covered by Perspex to prevent random people turning them off.

Always remind the production team of every show to remember to turn off the breakers as they leave the building. Remind them further that the upstairs lighting and [[Bertha]] are not controlled by the breakers and need to be turned off independently.

'''History'''

The system was rewired in 1992 to balance the power. Previously, the lighting rig ran off the red phase and the rest of the building ran off blue and yellow. This was hopelessly unbalanced and caused the mains cable to burn through twice (1988 & 1990) and it was lucky the place didn’t burn down ( See [[Lighting]] for phase balancing) . The power input to the building is three phases at 100A and 415V line voltage.

== Kitchen ==

The kitchen contains two large sinks which are a nightmare to unblock, lots of pans and stuff, a large fridge, a small hand sink and a cooker. The kitchen doesn't get much use through the year but in the [[fringe]] gets used lots. It is important to keep it clean because environmental health naturally get quite aggravated if you don't. Just get it cleaned at every work-in and you should be fine.

The wall of the kitchen was rebuilt for [[fringe]] 2000 and even though people keep bouncing off it warming up it seems to be surviving ok.

It's also a really good idea to keep a supply of bin bags actually in the kitchen. The bins get incredibly foul very quickly without bags, and as noted above, cleanliness in the kitchen is super important.

===Cooker===

New cooker bought in Fringe '06. Has 4 ring hob, full size oven with grill section that doubles as an oven. Lower oven is very temperamental and should not be used to cook anything specified as needing lower than 300C. At any time when cooking something in this oven be prepared to watch it constantly. Baking should always be done in the potato oven in the cafe to avoid a charred mess.

Cleaning the oven is not particularly pleasant so try to find someone else to do it. You'll probably find that you need to keep checking on them cos they’ll get bored before they finish.

== Auditorium ==

:see [[Auditorium]]

== Dressing Room ==

This is the area immediately behind the stage where [[actor|actors]] go when they're not on stage

'''Responsibilities'''

The dressing room is the responsibility of each cast to keep clean. This is not the job of the [[Committee#Wardrobe_Manager|wardrobe manager]] who is merely responsible for taking away the props and costumes which should also be sorted and cleaned by the cast too.

It is the responsibility of the shows [[Producing|producer]] to ensure that the cast do this.

There IS such a thing as a clean dressing room (click to view full size):

[[Image:Img_7545.jpg|75px||See?]]
[[Image:Clean_dressingRoom2.jpg|75px||Clean!]]
[[Image:Clean_dressingRoom3.jpg|75px||Very Clean!]]

[[actor|Actors]] will often leave their belongings in the dressing rooms. Recent [[Committee#Wardrobe_Manager|wardrobe manager]]s have generally thrown it in a pile and given everyone a week to get rid of it before throwing it in the [[costume cupboard]].

Smoking and drinking are not allowed back stage.

'''History'''

Quotes to install a sink have been got in the past but they came in at about £1000 so it was given up.

One of the fancy windows was ripped out during a break in pre [[fringe]] 2001 (discovered it at 7:30 on the Monday morning of week 1, and I had slept in the building that night {for the 4 hours between ins} so was slightly annoyed). This window was replaced by security glass which is easier to clean and a lot more secure However it may be in violation of the B grade [[Historic_Scotland_Listing|listed building]] regulations. A second window was replaced with security glass at some point as well, leaving only one of the original windows.

There is no emergency exit light back stage and the Council are aware of this and as of May 2008 the Works Department has agreed to install one. As it isn't a public area of the building we should be able to gel it as dark as we like but a call to the Public Safety Department of the Council.

[[CCTV system]]

== Props Cupboard ==

The Props Cupboard is called that because it used to actually store props. It has nice shelves and everything. Now people think it's called the Props Cupboard because that is where all the [[stage weight]]s and braces (things that 'prop up' the [[flats]]) are stored. It is lockable and so can be used to store valuable props. But is mainly used to store crap during runs. The light fitting in there was ripped out by the tech manager [[fringe]] 2002 during the installation of a flood light for the back passage and never replaced.

== Costume Cupboard ==

See [[Costuming]]

== Crypt ==

The crypt is a dark smelly hole which can be reached down the stairs in the stage right exit. There are three rooms and they are partially full of sand, slabs and other building materials which can be useful. The stains on the walls are urine thanks to our resident tramps. The area under the stage can be reached through the hole in the wall which is useful for putting in cable runs. There is even more sand down here thanks to a mainterm which covered the stage in it then just swept it down the trap door. There is also 2 tonnes of construction sand living down there currently from Electra, 2005. It is all in double bin bags, and thus far more usable that the stuff that just gets swept down the trap door. It is possible to climb through the building's foundations to the men' toilet, but you need to be pretty skinny to manage it as [[Committee#Theatre_Manager|theatre manager]]s have got stuck in the past.

== Tech Box ==
see [[Techbox]]

== Balconies ==

See [[Balconies]]

== Toilets ==

'''Responsibilities'''

The toilets are technically the responsibility of the [[Committee#Front_of_House_Manager|Front of House Manager]].

Each show is responsible for cleaning the toilets and refilling the toilet paper and hand towel dispensers.

Additionally, the hall keepers for each performance should check the condition of the toilets at before and after the show.

'''Maintenance'''

Apart from the obvious refilling of the dispensers the floors, sinks and toilets should be cleaned regularly and bleached a couple of times a month.

The floor needs painted every year or so, just get black floor paint from Ian Russell, you’ll probably find that you use about 7L, so make sure to order it in advance because they only tend to keep 5L in stock.

'''Take Special Note'''

Cleaning the toilets tends to be very unpopular. It is recommended that [[Directing|directors]] do it.

The hot water heaters in the toilets should be left turned on and turned off only at the breakers. This way they start making hot water the minute you arrive in the building and throw the breakers.

== Toilet Corridor ==
[[Image:toilet corridor.jpg|thumb|right]]
'''Outline'''

This is just a corridor which links the [[box office]] and the [[auditorium]].

In here is stored the mainterm banner.

The double doors to the auditorium are quite hefty and make noise if you opened too quickly. Avoid opening them if at all possible during shows. The stoppers on the floor need regular oiling too keep them running.

'''Responsibilities'''

The Toilet Corridor is the responsibility of the [[Committee#Front_of_House_Manager|Front of House Manager]].

If shows make a mess in it (for painting and so forth) they must clear it up.

The hall keepers should keep it clean during a shows run.

'''History'''

At fringe 2007 the coffee machine in the kitchen was move and the waste line (which runs under the Toilet Corridor) ruptured. During Fringe 2007 it leaked a lot because of the high volume of coffee served. This is not a problem during term time as we hardly serve any coffee however it must be fixed. This ought to be addressed pre-Fringe 2008.

The banners were once secured to the wall but the attachments have since been lost.

A pane of glass was removed from the window to vent the [[cafe]] during the [[fringe]] 2003 but an electric extractor fan was never fitted.

== Box Office ==

See [[Box Office]]

== Café ==

see [[Caf%C3%A9]]

== Outside of the Building ==

Probably the nastiest part, it needs tidied a couple of times a week, especially Saturday and Sunday mornings after lots of people drop rubbish through the night. The regular tramps tend to be fine and if you give them a black bag will sometimes help pick up rubbish but you need to make it obvious to them from the start that they’ll not get any money. Talk to the tramps and be nice to them because the ones you get to know will often help you to move on the awkward ones and the ones that have passed out. Of note: Currently, the metal key to take off the top of the Front of House bins is on the [[FoH Manager]]'s keys. Coincidence? I think not.

The roof at the front of the building can be accessed with a ladder to put up the banners. Bedlam has two banners one of which is a long thin one which Mainterms can put their logo on for advertising. The other is a large fat cat with venue 49 on it which is used for the fringe. To put the banners up you need to haul them up to the roof and tie them securely onto the eyelets on the roof, the head of the fat cat then ties onto the archway.

The 1k floods were replaced for [[fringe]] 2001 and use K4 lamps. They burn through gel really quickly so you need to come up with an alternative if you want to colour them. To switch them on you need to turn on the breaker and the switch in the fuse cupboard in the side entrance.

The Claymore (large wheelie bin) gets emptied once a week, but you need more than that during the fringe. It is very difficult to get one off uplifts because trade waste are disorganised but it is sensible to book them if you’re planning on throwing lots out or during a mainterm week.

The gate to the back stage exit is best kept locked to keep tramps from using it as a toilet. As it is they will still piss there but at least you’re not cleaning up rather liquid shit. A good idea is to pour bleach over it every time you remember and make sure it happens at work-ins.

The disabled access ramp is only of limited use because people can’t use it when a show is on. This has caused problems in the past with people having to sit in the rain for half an hour. Make sure that disabled people are told to turn up 20 mins before a show not half an hour and get the seats out as soon as you can. The seats need to be removed so that the fire escapes are clear which is a condition of out license.

The fire escape must be kept clear if the building is open so make sure the duty manger knows this and do realise that you deal with the tramps regularly and probably have got to know some of them so be willing to help out. The tramps have a tendency to piss on random parts of the building, especially outside Mrs O’s window and she really hates it. There’s not a lot you can do to stop them but make sure you clean up as soon as you can so it doesn’t smell too much.

Apparently the red gravel outside the building looks a lot better than the tarmac that used to be there but it does make cleaning up harder the easiest way is just to rake the fag ends in and hope for the best.

Linford’s bench was given to the Bedlam by the parents of an ex-member, who died in a [http://news.bbc.co.uk/1/hi/wales/445161.stm car crash]. Mrs O is very attached to the bench so please treat it with care a lick of varnish once or twice a year doesn't hurt. The bins out here are pretty disgusting so I always make sure that someone else has to clean them out when there is more than an inch of crap in the bottom.

The only way you can get round the back of the building is to climb over into the grounds of the building behind us which is dangerous (The first entry in the accident book is from me falling off the fence) and illegal (So don’t get caught).

On the Forest Road side of the building are three overflow pipes for the water tanks. If there is water coming out of these it means that one of the tanks is overflowing. Having water coming out of these is bad for two reasons, one it wastes water and two it empties straight into the foundations which will cause the building to fall down quicker. The easiest way to get them fixed is by reporting it to the Works Department who will send someone to do it.

Internet connection

2010-07-16T23:24:45Z

Adam:

[[Category:Equipment]][[Category:The Building]]
The EUTC has an ADSL Internet connection provided by Be Internet. It is provided on the office telephone number and the router is located in the office. This provides a wireless connection in the office area of the theatre which is secured to prevent unauthorised usage.

There is a CAT5 cable running to the café from the router where a little 4-port hub distributes the connection to the box office computer and a wireless access point. This access point is un-encrypted and anyone can connect to it in and around the café...

The wireless access point in the café should be turned off when nobody is in the building to prevent access.

Theatre Managers Manual

2010-07-16T23:21:18Z

Adam: /* Former Theatre Managers */

[[Category:TheatreManagersManual]]
{{OutofDate}}

== Preamble ==

There used to be a printed manager's manual. In the way of the Bedlam, some of it got lost.
Here is the text of the last revision of the manual in 2002. Lots has changed since then,
so it needs updated by the current generation.

At least it should act as a starting point...

--

Al the techie, March 2006

== Disclaimer ==

None of the contributors accept any responsibility for any of the information supplied in these pages.

If you follow advice from these pages, on your own head be it. The contributors were incorrect when they
wrote it, and accept no responsibility for any results caused by following any of the information herein.

== Further Disclaimer ==

[[Image:dont_panic.jpg|HHGTTB]]

In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Bedlam's Theatre Manager's Manual
has already supplanted the great Encyclopedia Galactica as the standard repository of all knowledge and wisdom,
for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate,
it scores over the older, more pedestrian work in two important respects.

First, it is slightly cheaper; and secondly it has the words Don't Panic inscribed in large red [[Electrical_Tape |LX-tape]] letters on its held-together-by-gaffer-tape cover.

([http://www.bedlamites.co.uk/im/dont_panic.wmv Don't Panic] Animation 820k)

== Introduction ==

This manual is designed to hold all the information needed to run Bedlam, because the Theatre Manager changes every year is was seen as necessary that this information be recorded so that it was not lost into the mists of time. This manual is a rewriting of manual written by Al "The Techie" Broom in 1991 which was a rewriting of the manual written by Jo Bullard in 1989.

Lifted straight from the original: "I have been the Manager of the Bedlam for eight months and whilst I could never know what to do in any eventuality, I generally do know who to ask, or what mode of panic is most profitable! With luck, the following will help others to learn to do the same"

Good luck, here it goes.

Andy Edmonstone 2002

* [[Theatre Manager- Job Description|Job Description]]

* [[Guide to Building]]

* [[Shows and Work Ins]]

* [[Inspections and People]]

* [[General Info]]

* [[A to Z]]

* [[Useful Addresses]]

* [[Heating System]]

== Former Theatre Managers ==
During Christmas of 2007, the Theatre Manager position was split, creating a new Committee position of Set Manager.
Committee years run from 1st April to 31st March

'''2010-11:''' Adam Alton (Fringe Aug 2010: Adam Alton)

'''2009-10:''' Roz Perkins (Fringe Aug 2009: George Ransley)

'''2008-09:''' Cat Hobart (Fringe Aug 2008: Alex Mead)

'''2007-08:''' Kerry O'Herlihy (Fringe Aug 2007: Colleen Patterson)

'''2006-07:''' Dave Larking (Fringe Aug 2006: Alex Engel)

'''2005-06:''' Alex Engel (Fringe Aug 2005: James "Evil" Turner Inman)

'''2004-05:''' Tom Latter (Fringe Aug 2004: Matt Gray)

'''2003-04''' Kati Hind (Fringe Aug 2003: Jono Ellis)

'''2002-03''' Jay Adrianse (Fringe Aug 2002: Richard Hogg)

'''2001-02:''' Andy Edmonstone (Fringe Aug 2001: Andy Edmonstone)

'''2000-01''' Felicity Robertson (Fringe Aug 2000: Becks Whiteman)

'''1999-2000:''' Frank Turnbull (Fringe Aug 1999: ...)

'''1998-99:''' ... (Fringe Aug 1998: ...)

'''1997-98:''' ... (Fringe Aug 1997: ...)

'''1996-97:''' ... (Fringe Aug 1996: ...)

'''1995-96:''' ... (Fringe Aug 1995: ...)

'''1994-95:''' ... (Fringe Aug 1994: ...)

'''1993-94:''' ... (Fringe Aug 1993: ...)

'''1992-93:''' ... (Fringe Aug 1992: ...)

'''1991-92''' Malachy Rice (Fringe Aug 1991: ...)

'''1990-91:''' Al Broom (Fringe Aug 1990: ...)

'''1989-90:''' Ian Marlee (Fringe Aug 1989: Claire England)

'''1988-89:''' Jo bullard (Fringe Aug 1988: ...)

'''1987-88:''' Richard Dixon (Fringe Aug 1987: ...)

'''1986-87:''' ... (Fringe Aug 1986: ...)

'''1985-86:''' ... (Fringe Aug 1985: ...)

'''1984-85:''' ... (Fringe Aug 1984: ...)

'''1983-84:''' ... (Fringe Aug 1983: ...)

'''1982-83:''' ... (Fringe Aug 1982: ...)

'''1981-82:''' ... (Fringe Aug 1981: ...)

'''1980-81:''' ... (Fringe Aug 1980: ...)

'''1980:''' EUTC moves into Bedlam as a temporary home.

--

Uploaded to EUTC Wiki by Al the techie 03/2006

Sub-Committee

2010-07-16T23:14:28Z

Adam: /* Previous Team Members */

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, this team became known as the sub-committee, it consists of the [[Sub-Committee#Archivist|Archivist]], the [[Sub-Committee#Librarian|Librarian]] and the [[Sub-Committee#Youth Project Co-Ordinator|Youth Project Co-Ordinator]].

==Archivist==

The Archivist, is resposible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam. Up until the 2010 AGM, archivist was a committee position.

see also [[Archive]]

2010-2011 Sally Gascoigne

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2010-2011 Alex "Fernie" Fernandes

2009-2010 Neville Billimoria

2007-2009 Felix Trench

== Youth Project Co-Ordinator ==

Youth Project or Bedlam Theatre Youth Project is EUTC's community outreach project as stipulated in the constitution. The youth project holds voluntary free workshops for young people of school age on a range of theatre based subjects. Since 2006 there have been changes in legislation that have caused problems with holding workshops with young people in the building.
However, the 2008 team found a way around this and held workshops in schools.

see also [[Youth project]]

2010-2011 Susanna Grenga

2009-2010 Neville Billimoria

2008-2009 Helena Larkin

 [http://www.bedlamyouthproject.org.uk Bedlam Youth Project Website]

Committee

2010-07-16T23:13:41Z

Adam:

The EUTC is administered by a permanent Committee of 13 members. They are; the [[Committee#President|President]], [[Committee#Secretary|Secretary]], [[Committee#Business Manager|Business]], [[Committee#Theatre Manager|Theatre]], [[Committee#Set Manager|Set]], [[Committee#Technical Manager|Technical]], [[Committee#Productions Manager|Productions]], [[Committee#Marketing Manager|Marketing]], [[Committee#Front of House Manager|Front of House]], [[Committee#Wardrobe Manager|Wardrobe]], [[Committee#Entertainments Manager|Entertainments]], [[Committee#IT Systems Manager|IT Systems Manager]] and [[Committee#Fringe Venue Manager|Fringe Venue Manager]]. It is the role of the Committee to administer the EUTC and to ensure the smooth running of the theatre. The Committee are elected at the AGM (usually at the end of February) to serve the period April 1- March 31st. There is also a [[Sub-Committee]] who help with other aspects of Bedlam.

:See also: [[Non-Committee Positions]]

== President ==

It is the role of the President to chair meetings and to oversee the work of the committee and the general management of the Company. The President should remain impartial and always act in the best long term interest of the EUTC. The President is also required to keep the Company Office tidy.

2010-2011 Camille Acosta

2009-2010 Fran Walker

2008-2009 Lauren McLeod

2007-2008 Lucy Jackson

2006-2007 James Mutton

2005-2006 Miriam Raines

2004-2005 Matt Gray

2003-2004 Rebekah Stackhouse

2002-2003 Natalie Adzic

== Business Manager ==

It is the role of the Business Manager to maintain the accounts and to facilitate communication between the EUTC and EUSAs Accounts department. The Business Manager is a cheques signatory. The oversee all spending and ensure that shows don't go over budget.

2010-2011 Amy Brewer

2009-2010 Zoe Brown

2008-2009 Colleen Patterson

2007-2008 Lara-Ann de Wet

2006-2007 Fran Rooney

2005-2006 James Mutton

2004-2005 Victoria Tills

2003-2004 Rachel Mountfield

== Secretary ==

The Secretary is responsible for all of the administrative leg-work of the EUTC. They keep minutes of all meetings and makes rehearsal schedules.

2010-2011 Camilla Born

2009-2010 Ellen Gledhill

2008-2009 Amy Brewer

2007-2008 Fran Walker

2006-2007 Helena Larkin

2005-2006 Becky Hill (until Dec. 2005) Emma Drage (from Dec. 2005)

2004-2005 Emma Drage

2003-2004 Alex Howard

== Theatre Manager ==

The Theatre Manager is responsible for the day to day running of the theatre, They ensure that all sets are safe. The ensure that the theatre is safe and that there are no obvious fire/ health and safety problems. They also maintain the building, doing small amounts of repair work. They also facilitate communication with the works department over the more serious repair works. The Theatre Manager maintains a TM Handbook which keeps up-to-date info about the building. The Theatre Manager is named on the License as the 'Responsible Manager' as such legally, the buck stops with them.
see also [[Theatre Manager- Job Description]]

2010-2011 Adam Alton

2009-2010 Roz Perkins

2008-2009 Cat Hobart

2007-2008 Kerry O'Herlihy

2006-2007 Dave Larking

2005-2006 Alex Engel

2004-2005 Tom Latter

2003-2004 Kati Hind

2002-2003 Jay Adriaanse

== Set Manager ==

The position of Set Manager was created at the end of 2007 to relieve some pressure from the [[Theatre Manager]]. The Set Manager is responsible for all communications with show [[stage manager]]s, responsible for all [[set]] (on the [[balconies]]) and tidiness and resources of the [[workshop]]. The Set Manager is directly responsible to the [[Theatre Manager]]

2010-2011 Izzie Sullivan

2009-2010 Natalie Baumann

2008-2009 Alex 'Mal' Mead

== Technical Manager ==
The technical manager manages anything with a plug! They ensure that techies keep work safely and offers guidance on lighting and sound.

They should know how to use all the equipment in the building and seem to spend all their time changing bulbs… Their two main jobs through the year are tech directing/managing the fresher’s play and getting everything [[#Test, PAT (Portable Appliance Test)|PAT tested]].

The Tech Manager also ensures that all the lanterns and technical equipment work.

2010-2011 Stuart Houston

2009-2010 Adam Alton

2008-2009 Ewan Connor

2007-2008 Neale Dutton

2006-2007 Xander Macmillan

2005-2006 Ruth Wilkinson

2004-2005 Heather Hanshaw

2003-2004 Lord James "Evil" Turner-Inman

2002-2003 Mr Matt Grey

2001-2002 David Watson

2000-2001 Graeme Timms

1999-2000 Neil E Hobbs

== Productions Manager ==

The Productions Manager facilitates communication between individual shows and the company as a whole. They decide on which slots are available and chair the meeting which decides which slot each show gets. Additionally, the Productions Manager chairs the casting meeting and oversees auditions. They also chair the creative company meeting every Monday after the company meeting.

They talk regularly with all the shows and should know exactly what’s happening in all shows. They communicate between shows and [[committee]]. They distribute [[Production Guidelines]] so that all producers know what to do.

2010-2011 Ellie Chalmers

2009-2010 Will Green

2008-2009 Ben Davies

2007-2008 Fred Gordon

2006-2007 Ishbel MacFarlane

2005-2006 Alex Robertson

2004-2005 Timothy Goodwin

2003-2004 Miriam Raines

== Marketing Manager ==

The Marketing Manager oversees all publicated material and all external public communication, to ensure that the EUTC is always shown in the best-light possible. They proof all posters, programmes and fliers to enusre they are accurate and that they do not damage the EUTC or Bedlams Public image.

2010-2011 Zoe Brown

2009-2010 Camille Acosta

2008-2009 Alia Ainuddin

2007-2008 Nick Kay

2006-2007 Lily Kember

2005-2006 Chris Mounsey

2004-2005 Claire Glendenning

2003-2004 Idil Sukan

== Front of House Manager ==

The Front of House Manager makes sure that the Front of House area is tidy and looks good for arriving customers. They are in charge of staffing and ensure that every shows has the required number of staff. The make sure that the cafe has stock to sell. They ensure that the Committee know how to Committee Rep (v. important)

This person looks after the FoH areas including kitchen, they make sure the [[café]] and cleaning cupboard are kept stocked and that things get cleaned.

2010-2011 Inga Rudzitis

2009-2010 Alex Cory

2008-2009 Chris Payne

2007-2008 Lauren McLeod

2006-2007 Hannah Myers

2005-2006 Heather Hanshaw

2004-2005 Lord James "Evil" Turner-Inman

2003-2004 Matt Grey

== Wardrobe Manager ==

The Wardrobe Manager has the glorious task of keeping the dressing room and costume cupboard clean and tidy. They also get to costume every show, with no notice and no budget. They often get locked in, as noone is ever aware that they are in the building.

2010-2011 Rosa Earp

2009-2010 Emily Jenkinson

2008-2009 Camille Acosta

2007-2008 Denise Wood

2006-2007 Colleen Patterson

2005-2006 Michael Whitham

2004-2005 Emma Allford (to Sept 2005) Michael Whitham (from September 2005)

2003-2004 Victoria Tills

== Entertainments Manager ==

The Entertainments Managers ultimate job is to organise the Bedlam Ball at the end of semester 2. In order to subsidise this they organise a number of events and parties throughout the year, which contribute to the funding.

2010-2011 Paul Hughes

2009-2010 Michael Milne

2008-2009 Sam Hansford

2007-2008 George Thomas

2006-2007 Tom Paul

2005-2006 Kerri Hall

2004-2005 James Mutton

2003-2004 Natalie Raeched

== Venue Hire Manager ==

The Venue Hire manager facilitates communication between outside companies who wish to hire the venue throughout term time and the company. They organise contracts, dates and staffing for outside hires. They are also on hand to offer support to outside companies.

This position was abolished in 2010, outside hires are now the responsibility of the president and business manager

2009-2010 Nicola Hazelton

2008-2009 Fran Walker

2007-2008 Michael Whitham

2006-2007 Michael Whitham

2005-2006 Kati Hind

2004-2005 Idil Sukan

2003-2004 Jay Addriannse

== Fringe Venue Manager ==

The Fringe Venue Manager, is the only non- elected post. They are hired by the a panel comprising the Former Fringe Venue Manager, the President, a EUSA accounts representative and the EUSA VP- Services. Their term is usually January - January. They are responsible for hiring the Fringe Managers. They are also responsible for programming and communicating with the outside companies. They assume operational control of the theatre for the period June - August for the year they are hired and oversee the EUTC presence at the Fringe.

2010 Nicola Hazelton

2009 Sam Hansford

2008 Colleen Patterson

2007 Matt Wieteska

2006 Charlotte Jarvis

2005 Claire Glendenning

2004 Miriam Raines

2003 Cat Smith

2002 Graeme Timms

2001 Morven Pack

2000 Chloe Darlington

== Archivist ==

The Archivist, is responsible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam.

see also [[Archive]]

This position was moved to the [[Sub-Committee#Archivist|Sub-Committee]] in 2010.

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== IT Systems Manager ==

The IT Systems Manager is responsible for maintaining all aspects of the Bedlam Theatre Website as well as look after all the computer systems within the building.

2010 - 2011 Ben Hussey

Committee

2010-07-16T23:12:50Z

Adam:

The EUTC is administered by a permanent Committee of 13 members. They are; the [[Committee#President|President]], [[Committee#Secretary|Secretary]] and the [[Committee#Business Manager|Business]], [[Committee#Theatre Manager|Theatre]], [[Committee#Set Manager|Set]], [[Committee#Technical Manager|Technical]], [[Committee#Productions Manager|Productions]], [[Committee#Marketing Manager|Marketing]], [[Committee#Front of House Manager|Front of House]], [[Committee#Wardrobe Manager|Wardrobe]], [[Committee#Entertainments Manager|Entertainments]], [[Committee#IT Systems Manager|IT Systems Manager]] and [[Committee#Fringe Venue Manager|Fringe Venue Manager]]. It is the role of the Committee to administer the EUTC and to ensure the smooth running of the theatre. The Committee are elected at the AGM (usually at the end of February) to serve the period April 1- March 31st. There is also a [[Sub-Committee]] who help with other aspects of Bedlam.

:See also: [[Non-Committee Positions]]

== President ==

It is the role of the President to chair meetings and to oversee the work of the committee and the general management of the Company. The President should remain impartial and always act in the best long term interest of the EUTC. The President is also required to keep the Company Office tidy.

2010-2011 Camille Acosta

2009-2010 Fran Walker

2008-2009 Lauren McLeod

2007-2008 Lucy Jackson

2006-2007 James Mutton

2005-2006 Miriam Raines

2004-2005 Matt Gray

2003-2004 Rebekah Stackhouse

2002-2003 Natalie Adzic

== Business Manager ==

It is the role of the Business Manager to maintain the accounts and to facilitate communication between the EUTC and EUSAs Accounts department. The Business Manager is a cheques signatory. The oversee all spending and ensure that shows don't go over budget.

2010-2011 Amy Brewer

2009-2010 Zoe Brown

2008-2009 Colleen Patterson

2007-2008 Lara-Ann de Wet

2006-2007 Fran Rooney

2005-2006 James Mutton

2004-2005 Victoria Tills

2003-2004 Rachel Mountfield

== Secretary ==

The Secretary is responsible for all of the administrative leg-work of the EUTC. They keep minutes of all meetings and makes rehearsal schedules.

2010-2011 Camilla Born

2009-2010 Ellen Gledhill

2008-2009 Amy Brewer

2007-2008 Fran Walker

2006-2007 Helena Larkin

2005-2006 Becky Hill (until Dec. 2005) Emma Drage (from Dec. 2005)

2004-2005 Emma Drage

2003-2004 Alex Howard

== Theatre Manager ==

The Theatre Manager is responsible for the day to day running of the theatre, They ensure that all sets are safe. The ensure that the theatre is safe and that there are no obvious fire/ health and safety problems. They also maintain the building, doing small amounts of repair work. They also facilitate communication with the works department over the more serious repair works. The Theatre Manager maintains a TM Handbook which keeps up-to-date info about the building. The Theatre Manager is named on the License as the 'Responsible Manager' as such legally, the buck stops with them.
see also [[Theatre Manager- Job Description]]

2010-2011 Adam Alton

2009-2010 Roz Perkins

2008-2009 Cat Hobart

2007-2008 Kerry O'Herlihy

2006-2007 Dave Larking

2005-2006 Alex Engel

2004-2005 Tom Latter

2003-2004 Kati Hind

2002-2003 Jay Adriaanse

== Set Manager ==

The position of Set Manager was created at the end of 2007 to relieve some pressure from the [[Theatre Manager]]. The Set Manager is responsible for all communications with show [[stage manager]]s, responsible for all [[set]] (on the [[balconies]]) and tidiness and resources of the [[workshop]]. The Set Manager is directly responsible to the [[Theatre Manager]]

2010-2011 Izzie Sullivan

2009-2010 Natalie Baumann

2008-2009 Alex 'Mal' Mead

== Technical Manager ==
The technical manager manages anything with a plug! They ensure that techies keep work safely and offers guidance on lighting and sound.

They should know how to use all the equipment in the building and seem to spend all their time changing bulbs… Their two main jobs through the year are tech directing/managing the fresher’s play and getting everything [[#Test, PAT (Portable Appliance Test)|PAT tested]].

The Tech Manager also ensures that all the lanterns and technical equipment work.

2010-2011 Stuart Houston

2009-2010 Adam Alton

2008-2009 Ewan Connor

2007-2008 Neale Dutton

2006-2007 Xander Macmillan

2005-2006 Ruth Wilkinson

2004-2005 Heather Hanshaw

2003-2004 Lord James "Evil" Turner-Inman

2002-2003 Mr Matt Grey

2001-2002 David Watson

2000-2001 Graeme Timms

1999-2000 Neil E Hobbs

== Productions Manager ==

The Productions Manager facilitates communication between individual shows and the company as a whole. They decide on which slots are available and chair the meeting which decides which slot each show gets. Additionally, the Productions Manager chairs the casting meeting and oversees auditions. They also chair the creative company meeting every Monday after the company meeting.

They talk regularly with all the shows and should know exactly what’s happening in all shows. They communicate between shows and [[committee]]. They distribute [[Production Guidelines]] so that all producers know what to do.

2010-2011 Ellie Chalmers

2009-2010 Will Green

2008-2009 Ben Davies

2007-2008 Fred Gordon

2006-2007 Ishbel MacFarlane

2005-2006 Alex Robertson

2004-2005 Timothy Goodwin

2003-2004 Miriam Raines

== Marketing Manager ==

The Marketing Manager oversees all publicated material and all external public communication, to ensure that the EUTC is always shown in the best-light possible. They proof all posters, programmes and fliers to enusre they are accurate and that they do not damage the EUTC or Bedlams Public image.

2010-2011 Zoe Brown

2009-2010 Camille Acosta

2008-2009 Alia Ainuddin

2007-2008 Nick Kay

2006-2007 Lily Kember

2005-2006 Chris Mounsey

2004-2005 Claire Glendenning

2003-2004 Idil Sukan

== Front of House Manager ==

The Front of House Manager makes sure that the Front of House area is tidy and looks good for arriving customers. They are in charge of staffing and ensure that every shows has the required number of staff. The make sure that the cafe has stock to sell. They ensure that the Committee know how to Committee Rep (v. important)

This person looks after the FoH areas including kitchen, they make sure the [[café]] and cleaning cupboard are kept stocked and that things get cleaned.

2010-2011 Inga Rudzitis

2009-2010 Alex Cory

2008-2009 Chris Payne

2007-2008 Lauren McLeod

2006-2007 Hannah Myers

2005-2006 Heather Hanshaw

2004-2005 Lord James "Evil" Turner-Inman

2003-2004 Matt Grey

== Wardrobe Manager ==

The Wardrobe Manager has the glorious task of keeping the dressing room and costume cupboard clean and tidy. They also get to costume every show, with no notice and no budget. They often get locked in, as noone is ever aware that they are in the building.

2010-2011 Rosa Earp

2009-2010 Emily Jenkinson

2008-2009 Camille Acosta

2007-2008 Denise Wood

2006-2007 Colleen Patterson

2005-2006 Michael Whitham

2004-2005 Emma Allford (to Sept 2005) Michael Whitham (from September 2005)

2003-2004 Victoria Tills

== Entertainments Manager ==

The Entertainments Managers ultimate job is to organise the Bedlam Ball at the end of semester 2. In order to subsidise this they organise a number of events and parties throughout the year, which contribute to the funding.

2010-2011 Paul Hughes

2009-2010 Michael Milne

2008-2009 Sam Hansford

2007-2008 George Thomas

2006-2007 Tom Paul

2005-2006 Kerri Hall

2004-2005 James Mutton

2003-2004 Natalie Raeched

== Venue Hire Manager ==

The Venue Hire manager facilitates communication between outside companies who wish to hire the venue throughout term time and the company. They organise contracts, dates and staffing for outside hires. They are also on hand to offer support to outside companies.

This position was abolished in 2010, outside hires are now the responsibility of the president and business manager

2009-2010 Nicola Hazelton

2008-2009 Fran Walker

2007-2008 Michael Whitham

2006-2007 Michael Whitham

2005-2006 Kati Hind

2004-2005 Idil Sukan

2003-2004 Jay Addriannse

== Fringe Venue Manager ==

The Fringe Venue Manager, is the only non- elected post. They are hired by the a panel comprising the Former Fringe Venue Manager, the President, a EUSA accounts representative and the EUSA VP- Services. Their term is usually January - January. They are responsible for hiring the Fringe Managers. They are also responsible for programming and communicating with the outside companies. They assume operational control of the theatre for the period June - August for the year they are hired and oversee the EUTC presence at the Fringe.

2010 Nicola Hazelton

2009 Sam Hansford

2008 Colleen Patterson

2007 Matt Wieteska

2006 Charlotte Jarvis

2005 Claire Glendenning

2004 Miriam Raines

2003 Cat Smith

2002 Graeme Timms

2001 Morven Pack

2000 Chloe Darlington

== Archivist ==

The Archivist, is responsible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam.

see also [[Archive]]

This position was moved to the [[Sub-Committee#Archivist|Sub-Committee]] in 2010.

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== IT Systems Manager ==

The IT Systems Manager is responsible for maintaining all aspects of the Bedlam Theatre Website as well as look after all the computer systems within the building.

2010 - 2011 Ben Hussey

Non-Committee Positions

2010-07-16T23:05:31Z

Adam:

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, there is a [[Sub-Committee]], please see the page for more details.

== Webmaster ==

This position was adapted and re-named IT Systems Engineer as of the 2010 AGM and became a [[Committee]] roll.

Previous webmasters: Nick Bustin, David Illsley, Ted Cryer, Steve Fryatt, Neill Hobbs, Xander Macmillan.

The webmaster role is unofficial and comes under the jurisdiction of the [[Committee#Marketing_Manager|Marketing Manager]]. Responsibilities include:

* [http://www.BedlamTheatre.co.uk BedlamTheatre.co.uk]
* [http://www.EUTC.org.uk EUTC.org.uk]
* [[Mailing Lists]]
* Committee Email Addresses
* Committee Mailing List

The webmaster is responsible for maintaining the EUTC and Bedlam Theatre Websites. They also send out the weekly update. They work closely with the Marketing manager to ensure that the websites reflect Bedlam's Public image. The Webamaster is an appointed position, by the Marketing Manager, who can decide not to have one, if they desire.

This wiki is currently being hosted [[User:AlTheTechie|Al Broom]] and watched over by [[User:Amar|Alistair]], See [[This server]] for more details

== Venue Liaison Secretary ==
The position was abolished in 2007(?) 
Feb06-Present Position Vacant 
2006-Feb06 Tim Goodwin[resigned] 
2005-2006 Bex Stackhouse (until Summer) Tim Goodwin (after Summer) 
2004-2005 Kati Hind 

The VLS is an elected, non-committee position. This is to ensure that the position is unbiased and not influenced by the committee. Their role is to maintain adequate records of communication between the EUTC and EUSA regarding the maintenance of the Bedlam Theatre. See section 5.0 of the constitution.

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

The position was moved to the [[Sub-Committee]] in 2010

2009-2010 Neville Billimoria

2007-2009 Felix Trench

Non-Committee Positions

2010-07-16T23:03:21Z

Adam: /* IT Systems Manager (Formerly Webmaster) */

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, there is a [[Sub-Committee]], please see the page for more details.

== Webmaster ==

This position became IT Systems Engineer as of the 2010 AGM and is now a [[Committee]] roll.

Previous webmasters: Nick Bustin, David Illsley, Ted Cryer, Steve Fryatt, Neill Hobbs, Xander Macmillan.

The webmaster role is unofficial and comes under the jurisdiction of the [[Committee#Marketing_Manager|Marketing Manager]]. Responsibilities include:

* [http://www.BedlamTheatre.co.uk BedlamTheatre.co.uk]
* [http://www.EUTC.org.uk EUTC.org.uk]
* [[Mailing Lists]]
* Committee Email Addresses
* Committee Mailing List

The webmaster is responsible for maintaining the EUTC and Bedlam Theatre Websites. They also send out the weekly update. They work closely with the Marketing manager to ensure that the websites reflect Bedlam's Public image. The Webamaster is an appointed position, by the Marketing Manager, who can decide not to have one, if they desire.

This wiki is currently being hosted [[User:AlTheTechie|Al Broom]] and watched over by [[User:Amar|Alistair]], See [[This server]] for more details

== Venue Liaison Secretary ==
The position was abolished in 2007(?) 
Feb06-Present Position Vacant 
2006-Feb06 Tim Goodwin[resigned] 
2005-2006 Bex Stackhouse (until Summer) Tim Goodwin (after Summer) 
2004-2005 Kati Hind 

The VLS is an elected, non-committee position. This is to ensure that the position is unbiased and not influenced by the committee. Their role is to maintain adequate records of communication between the EUTC and EUSA regarding the maintenance of the Bedlam Theatre. See section 5.0 of the constitution.

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2009-2010 Neville Billimoria

2007-2009 Felix Trench

Sub-Committee

2010-07-16T23:01:00Z

Adam:

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, this team became known as the sub-committee, it consists of the [[Sub-Committee#Archivist|Archivist]], the [[Sub-Committee#Librarian|Librarian]] and the [[Sub-Committee#Youth Project Co-Ordinator|Youth Project Co-Ordinator]].

==Archivist==

The Archivist, is resposible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam. Up until the 2010 AGM, archivist was a committee position.

see also [[Archive]]

2010-2011 Sally Gascoigne

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2010-2011 Alex "Fernie" Fernandes

2009-2010 Neville Billimoria

2007-2009 Felix Trench

== Youth Project Co-Ordinator ==

Youth Project or Bedlam Theatre Youth Project is EUTC's community outreach project as stipulated in the constitution. The youth project holds voluntary free workshops for young people of school age on a range of theatre based subjects. Since 2006 there have been changes in legislation that have caused problems with holding workshops with young people in the building.
However, the 2008 team found a way around this and held workshops in schools.

see also [[Youth project]]

2010-2011 Susanna Grenga

2009-2010 Neville Billimoria

2008-2009 Helena Larkin

==Previous Team Members==
Cat Hoyle
James Mutton
Emily Prince
Ruth Wilkinson
Flora Cook
Lily Kember
Helena Larkin

 [http://www.bedlamyouthproject.org.uk Bedlam Youth Project Website]

Sub-Committee

2010-07-16T23:00:38Z

Adam: New page: In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, this team became known as the sub-committee, it consists of the [[Sub-Committ...

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, this team became known as the sub-committee, it consists of the [[Sub-Committee#Archivist|Archivist]], the [[Sub-Committee#Librarian|Librarian]] and the [[Sub-Committee#Youth Project Co-Ordinator|Youth Project Co-Ordinator]].

==Archivist==

The Archivist, is resposible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam. Up until the 2010 AGM, archivist was a committee position.

see also [[Archive]]

2010-2011 Sally Gascoigne

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2010-2011 Alex "Fernie" Fernandes

2009-2010 Neville Billimoria

2007-2009 Felix Trench

== Youth Project Co-Ordinator ==

Youth Project or Bedlam Theatre Youth Project is EUTC's community outreach project as stipulated in the constitution. The youth project holds voluntary free workshops for young people of school age on a range of theatre based subjects. Since 2006 there have been changes in legislation that have caused problems with holding workshops with young people in the building.
However, the 2008 team found a way around this and held workshops in schools.

see also [[Youth project]]

2010-2011 Susanna Grenga

2009-2010 Neville Billimoria

2008-2009 Helena Larkin

==Previous Team Members==
Cat Hoyle
James Mutton
Emily Prince
Ruth Wilkinson
Flora Cook
Lily Kember
Helena Larkin

 [http://www.bedlamyouthproject.org.uk Bedlam Youth Project Website]

Non-Committee Positions

2010-07-16T22:50:54Z

Adam:

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, there is a [[Sub-Committee]], please see the page for more details.

== IT Systems Manager (Formerly Webmaster) ==

Current: [[User:Blip2|Ben Hussey]] 
Previous: Nick Bustin, David Illsley, Ted Cryer, Steve Fryatt, Neill Hobbs, Xander Macmillan.

The webmaster role is unofficial and comes under the jurisdiction of the [[Committee#Marketing_Manager|Marketing Manager]]. Responsibilities include:

* [http://www.BedlamTheatre.co.uk BedlamTheatre.co.uk]
* [http://www.EUTC.org.uk EUTC.org.uk]
* [[Mailing Lists]]
* Committee Email Addresses
* Committee Mailing List

The webmaster is responsible for maintaining the EUTC and Bedlam Theatre Websites. They also send out the weekly update. They work closely with the Marketing manager to ensure that the websites reflect Bedlam's Public image. The Webamaster is an appointed position, by the Marketing Manager, who can decide not to have one, if they desire.

This wiki is currently being hosted [[User:AlTheTechie|Al Broom]] and watched over by [[User:Amar|Alistair]], See [[This server]] for more details

== Venue Liaison Secretary ==
The position was abolished in 2007(?) 
Feb06-Present Position Vacant 
2006-Feb06 Tim Goodwin[resigned] 
2005-2006 Bex Stackhouse (until Summer) Tim Goodwin (after Summer) 
2004-2005 Kati Hind 

The VLS is an elected, non-committee position. This is to ensure that the position is unbiased and not influenced by the committee. Their role is to maintain adequate records of communication between the EUTC and EUSA regarding the maintenance of the Bedlam Theatre. See section 5.0 of the constitution.

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2009-2010 Neville Billimoria

2007-2009 Felix Trench

Non-Committee Positions

2010-07-16T22:49:44Z

Adam: /* IT Systems Manager (Formerly Webmaster) */

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, there is a Sub-Committee, please see the page for more details.

== IT Systems Manager (Formerly Webmaster) ==

Current: [[User:Blip2|Ben Hussey]] 
Previous: Nick Bustin, David Illsley, Ted Cryer, Steve Fryatt, Neill Hobbs, Xander Macmillan.

The webmaster role is unofficial and comes under the jurisdiction of the [[Committee#Marketing_Manager|Marketing Manager]]. Responsibilities include:

* [http://www.BedlamTheatre.co.uk BedlamTheatre.co.uk]
* [http://www.EUTC.org.uk EUTC.org.uk]
* [[Mailing Lists]]
* Committee Email Addresses
* Committee Mailing List

The webmaster is responsible for maintaining the EUTC and Bedlam Theatre Websites. They also send out the weekly update. They work closely with the Marketing manager to ensure that the websites reflect Bedlam's Public image. The Webamaster is an appointed position, by the Marketing Manager, who can decide not to have one, if they desire.

This wiki is currently being hosted [[User:AlTheTechie|Al Broom]] and watched over by [[User:Amar|Alistair]], See [[This server]] for more details

== Venue Liaison Secretary ==
The position was abolished in 2007(?) 
Feb06-Present Position Vacant 
2006-Feb06 Tim Goodwin[resigned] 
2005-2006 Bex Stackhouse (until Summer) Tim Goodwin (after Summer) 
2004-2005 Kati Hind 

The VLS is an elected, non-committee position. This is to ensure that the position is unbiased and not influenced by the committee. Their role is to maintain adequate records of communication between the EUTC and EUSA regarding the maintenance of the Bedlam Theatre. See section 5.0 of the constitution.

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2009-2010 Neville Billimoria

2007-2009 Felix Trench

Non-Committee Positions

2010-07-16T22:46:21Z

Adam:

In order to assist the running of the Venue there are a couple of Non-Committee positions. As of the 2010 AGM, there is a Sub-Committee, please see the page for more details.

== IT Systems Manager (Formerly Webmaster) ==

Current: [[User:Ben|Blip2]] 
Previous: Nick Bustin, David Illsley, Ted Cryer, Steve Fryatt, Neill Hobbs, Xander Macmillan.

The webmaster role is unofficial and comes under the jurisdiction of the [[Committee#Marketing_Manager|Marketing Manager]]. Responsibilities include:

* [http://www.BedlamTheatre.co.uk BedlamTheatre.co.uk]
* [http://www.EUTC.org.uk EUTC.org.uk]
* [[Mailing Lists]]
* Committee Email Addresses
* Committee Mailing List

The webmaster is responsible for maintaining the EUTC and Bedlam Theatre Websites. They also send out the weekly update. They work closely with the Marketing manager to ensure that the websites reflect Bedlam's Public image. The Webamaster is an appointed position, by the Marketing Manager, who can decide not to have one, if they desire.

This wiki is currently being hosted [[User:AlTheTechie|Al Broom]] and watched over by [[User:Amar|Alistair]], See [[This server]] for more details

== Venue Liaison Secretary ==
The position was abolished in 2007(?) 
Feb06-Present Position Vacant 
2006-Feb06 Tim Goodwin[resigned] 
2005-2006 Bex Stackhouse (until Summer) Tim Goodwin (after Summer) 
2004-2005 Kati Hind 

The VLS is an elected, non-committee position. This is to ensure that the position is unbiased and not influenced by the committee. Their role is to maintain adequate records of communication between the EUTC and EUSA regarding the maintenance of the Bedlam Theatre. See section 5.0 of the constitution.

== Librarian ==

The Bedlam Librarian is responsible for maintaining the Bedlam Library, and allowing company members to borrow books. See [[Library]] for more details

2009-2010 Neville Billimoria

2007-2009 Felix Trench

Committee

2010-07-16T22:38:08Z

Adam:

The EUTC is administered by a permanent Committee of 14 members. They are; the [[Committee#President|President]], [[Committee#Secretary|Secretary]] and the [[Committee#Business Manager|Business]], [[Committee#Theatre Manager|Theatre]], [[Committee#Set Manager|Set]], [[Committee#Technical Manager|Technical]], [[Committee#Productions Manager|Productions]], [[Committee#Marketing Manager|Marketing]], [[Committee#Front of House Manager|Front of House]], [[Committee#Wardrobe Manager|Wardrobe]], [[Committee#Entertainments Manager|Entertainments]], [[Committee#Venue Hire Manager|Venue Hire]] and [[Committee#Fringe Venue Manager|Fringe Venue Manager]] as well as the [[Committee#Archivist|Archivist]]. It is the role of the Committee to administer the EUTC and to ensure the smooth running of the theatre. The Committee are elected at the AGM (usually at the end of February) to serve the period April 1- March 31st.

:See also: [[Non-Committee Positions]]

== President ==

It is the role of the President to chair meetings and to oversee the work of the committee and the general management of the Company. The President should remain impartial and always act in the best long term interest of the EUTC. The President is also required to keep the Company Office tidy.

2010-2011 Camille Acosta

2009-2010 Fran Walker

2008-2009 Lauren McLeod

2007-2008 Lucy Jackson

2006-2007 James Mutton

2005-2006 Miriam Raines

2004-2005 Matt Gray

2003-2004 Rebekah Stackhouse

2002-2003 Natalie Adzic

== Business Manager ==

It is the role of the Business Manager to maintain the accounts and to facilitate communication between the EUTC and EUSAs Accounts department. The Business Manager is a cheques signatory. The oversee all spending and ensure that shows don't go over budget.

2010-2011 Amy Brewer

2009-2010 Zoe Brown

2008-2009 Colleen Patterson

2007-2008 Lara-Ann de Wet

2006-2007 Fran Rooney

2005-2006 James Mutton

2004-2005 Victoria Tills

2003-2004 Rachel Mountfield

== Secretary ==

The Secretary is responsible for all of the administrative leg-work of the EUTC. They keep minutes of all meetings and makes rehearsal schedules.

2010-2011 Camilla Born

2009-2010 Ellen Gledhill

2008-2009 Amy Brewer

2007-2008 Fran Walker

2006-2007 Helena Larkin

2005-2006 Becky Hill (until Dec. 2005) Emma Drage (from Dec. 2005)

2004-2005 Emma Drage

2003-2004 Alex Howard

== Theatre Manager ==

The Theatre Manager is responsible for the day to day running of the theatre, They ensure that all sets are safe. The ensure that the theatre is safe and that there are no obvious fire/ health and safety problems. They also maintain the building, doing small amounts of repair work. They also facilitate communication with the works department over the more serious repair works. The Theatre Manager maintains a TM Handbook which keeps up-to-date info about the building. The Theatre Manager is named on the License as the 'Responsible Manager' as such legally, the buck stops with them.
see also [[Theatre Manager- Job Description]]

2010-2011 Adam Alton

2009-2010 Roz Perkins

2008-2009 Cat Hobart

2007-2008 Kerry O'Herlihy

2006-2007 Dave Larking

2005-2006 Alex Engel

2004-2005 Tom Latter

2003-2004 Kati Hind

2002-2003 Jay Adriaanse

== Set Manager ==

The position of Set Manager was created at the end of 2007 to relieve some pressure from the [[Theatre Manager]]. The Set Manager is responsible for all communications with show [[stage manager]]s, responsible for all [[set]] (on the [[balconies]]) and tidiness and resources of the [[workshop]]. The Set Manager is directly responsible to the [[Theatre Manager]]

2010-2011 Izzie Sullivan

2009-2010 Natalie Baumann

2008-2009 Alex 'Mal' Mead

== Technical Manager ==
The technical manager manages anything with a plug! They ensure that techies keep work safely and offers guidance on lighting and sound.

They should know how to use all the equipment in the building and seem to spend all their time changing bulbs… Their two main jobs through the year are tech directing/managing the fresher’s play and getting everything [[#Test, PAT (Portable Appliance Test)|PAT tested]].

The Tech Manager also ensures that all the lanterns and technical equipment work.

2010-2011 Stuart Houston

2009-2010 Adam Alton

2008-2009 Ewan Connor

2007-2008 Neale Dutton

2006-2007 Xander Macmillan

2005-2006 Ruth Wilkinson

2004-2005 Heather Hanshaw

2003-2004 Lord James "Evil" Turner-Inman

2002-2003 Mr Matt Grey

2001-2002 David Watson

2000-2001 Graeme Timms

1999-2000 Neil E Hobbs

== Productions Manager ==

The Productions Manager facilitates communication between individual shows and the company as a whole. They decide on which slots are available and chair the meeting which decides which slot each show gets. Additionally, the Productions Manager chairs the casting meeting and oversees auditions. They also chair the creative company meeting every Monday after the company meeting.

They talk regularly with all the shows and should know exactly what’s happening in all shows. They communicate between shows and [[committee]]. They distribute [[Production Guidelines]] so that all producers know what to do.

2010-2011 Ellie Chalmers

2009-2010 Will Green

2008-2009 Ben Davies

2007-2008 Fred Gordon

2006-2007 Ishbel MacFarlane

2005-2006 Alex Robertson

2004-2005 Timothy Goodwin

2003-2004 Miriam Raines

== Marketing Manager ==

The Marketing Manager oversees all publicated material and all external public communication, to ensure that the EUTC is always shown in the best-light possible. They proof all posters, programmes and fliers to enusre they are accurate and that they do not damage the EUTC or Bedlams Public image.

2010-2011 Zoe Brown

2009-2010 Camille Acosta

2008-2009 Alia Ainuddin

2007-2008 Nick Kay

2006-2007 Lily Kember

2005-2006 Chris Mounsey

2004-2005 Claire Glendenning

2003-2004 Idil Sukan

== Front of House Manager ==

The Front of House Manager makes sure that the Front of House area is tidy and looks good for arriving customers. They are in charge of staffing and ensure that every shows has the required number of staff. The make sure that the cafe has stock to sell. They ensure that the Committee know how to Committee Rep (v. important)

This person looks after the FoH areas including kitchen, they make sure the [[café]] and cleaning cupboard are kept stocked and that things get cleaned.

2010-2011 Inga Rudzitis

2009-2010 Alex Cory

2008-2009 Chris Payne

2007-2008 Lauren McLeod

2006-2007 Hannah Myers

2005-2006 Heather Hanshaw

2004-2005 Lord James "Evil" Turner-Inman

2003-2004 Matt Grey

== Wardrobe Manager ==

The Wardrobe Manager has the glorious task of keeping the dressing room and costume cupboard clean and tidy. They also get to costume every show, with no notice and no budget. They often get locked in, as noone is ever aware that they are in the building.

2010-2011 Rosa Earp

2009-2010 Emily Jenkinson

2008-2009 Camille Acosta

2007-2008 Denise Wood

2006-2007 Colleen Patterson

2005-2006 Michael Whitham

2004-2005 Emma Allford (to Sept 2005) Michael Whitham (from September 2005)

2003-2004 Victoria Tills

== Entertainments Manager ==

The Entertainments Managers ultimate job is to organise the Bedlam Ball at the end of semester 2. In order to subsidise this they organise a number of events and parties throughout the year, which contribute to the funding.

2010-2011 Paul Hughes

2009-2010 Michael Milne

2008-2009 Sam Hansford

2007-2008 George Thomas

2006-2007 Tom Paul

2005-2006 Kerri Hall

2004-2005 James Mutton

2003-2004 Natalie Raeched

== Venue Hire Manager ==

The Venue Hire manager facilitates communication between outside companies who wish to hire the venue throughout term time and the company. They organise contracts, dates and staffing for outside hires. They are also on hand to offer support to outside companies.

2009-2010 Nicola Hazelton

2008-2009 Fran Walker

2007-2008 Michael Whitham

2006-2007 Michael Whitham

2005-2006 Kati Hind

2004-2005 Idil Sukan

2003-2004 Jay Addriannse

== Fringe Venue Manager ==

The Fringe Venue Manager, is the only non- elected post. They are hired by the a panel comprising the Former Fringe Venue Manager, the President, a EUSA accounts representative and the EUSA VP- Services. Their term is usually January - January. They are responsible for hiring the Fringe Managers. They are also responsible for programming and communicating with the outside companies. They assume operational control of the theatre for the period June - August for the year they are hired and oversee the EUTC presence at the Fringe.

2010 Nicola Hazelton

2009 Sam Hansford

2008 Colleen Patterson

2007 Matt Wieteska

2006 Charlotte Jarvis

2005 Claire Glendenning

2004 Miriam Raines

2003 Cat Smith

2002 Graeme Timms

2001 Morven Pack

2000 Chloe Darlington

== Archivist ==

The Archivist, is resposible for maintaining records off all EUTC productions. S/he is responsible for collecting all the P&P of each show, taking pictures of builds/dress runs/after-show drunken bashes, etc. This is really helpful to stage managers in later years who may be looking to do something similar to what has gone before as well as giving us stuff to look back on and to show impressionable young freshers of all the amazing things that get built in Bedlam.

see also [[Archive]]

2009-2010 Becka O'Sullivan

2008-2009 Rebecca White

2007-2008 Richard Dennis

2006-2007 Cat Hoyle

2005-2006 Graeme Wright

2004-2005 Adam Millard

2003-2004 Lucy Kirkwood

Bedlam Fringe

2010-07-16T22:33:34Z

Adam:

Every August the Bedlam turns professional and opens up as Fringe Venue 49.

Here's a history of the people involved...

==Fringe 2010==

*Fringe Venue Manager: Nicola Hazelton
*Theatre Manager: Adam Alton
*Technical Manager: Ewan Connor
*Press and Publicity Manager: Debbie Hicks
*Business Manager: Zoe Brown
*Box Office Managers: Inga Rudzitis and Rosa Earp
*Cafe Managers: Ellen Gledhill and Beth Friend
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Alexander Morrison, Sallie Chedburn, Venice Van Someren, Anna Ashton, Alex Wetherall, Amy Brewer, Dylan Read, Naomi Lawrence and Louise Casson
*Cafe Staff: Sally Gascoigne, Tom Fardon, Emily O'Connor, Hannah Rastall and Frazer Jackson

==Fringe 2009==

*Fringe Venue Manager: Sam Hansford
*Theatre Manager: George Ransley
*Technical Manager: Adam Alton
*Press and Publicity Manager: Nicola Hazelton
*Business Manager: Chris Payne
*Box Office Managers: Fran Walker and Fred Gordon
*Cafe Managers: Lucy Sproul-Cran, Zoe Brown and Felix Trench
*IT Systems Manager: Xander Macmillan
*Box Office Staff: Nick Masters-Waage, Lisa Jamison, Rosa Earp, Alex Cory, Emma Walford, Ellie Chalmers, Neville Billimoria, Kate Jagger, Gabi Jones
*Cafe Staff: Pam Morris, Heidi Goldsmith, Criosa Houston, Martynas Serys-Kubertavicius

==Fringe 2008==

*Fringe Venue Manager: Colleen Patterson
*Theatre Manager: Mal Mead
*Technical Manager: Sam Hansford
*Press and Publicity Manager: Becs Kamp
*Business Manager: Fran Walker
*Graphics Designer: Nick Kay
*Box Office Managers: Lauren McLeod and Xander Macmillan
*Cafe Managers: Cat Hobart and Ellie Harrison
*Box Office Staff: Liz Black, Dylan Read, Fred Gordon, Emma Pattinson, Ellie Richardson, Nicola Hazelton, Lucy Sneddon, Maredith Close
*Cafe Staff: Amy Brewer, Alex Hatt, Carley Stubbs, Emily Jenkinson

Achievements:


*Repainted [[office]] and redid [[committee]] pigeonholes
*New Sunday opening times on sunday afternoons with pub quiz and café entertainment


*Installed new [[seats]]
*Renovated and refinished the seating rake
*Laid new carpet in the auditorium
*Reskinned the [[stage]] (we totally do this every year)
*Re-finished the stage's risers with 18mm plywood
*Spray-painted the [[Lighting#The_Rig|rig]] black for stealth
*Moved the [[Balconies#Lantern_Store]] to the dimmers


*Rebuilt the [[cafe]] servery
*Partially restored and re-varnished cafe floor
*Rebuilt cafe boards
*Fixed the bulge in the [[cafe]] wall


*Rewrote the [[XTS|ticketing system]]
*Fixed the [[FOH Sound|FoH Sound System]]
*Installed a lighting bar in the box office, bought a Bedlam Theatre logo gobo for projection.

[[Media:Bedlam_Fringe_Report_2008.pdf‎]]

==Fringe 2007==

*Fringe Venue Manager: Matt Wieteska
*Theatre Manager: Colleen Patterson
*Technical Manager: Neale Dutton
*Press and Publicity Manager: Lucy Jackson
*Graphics Designer: Nick Kay
*Sponsorship Manager: Becs Kamp
*Box Office Managers: Alex Hall and Mike Smith
*Cafe Managers: James "Bruce" Sinclair and Holly Mclay
*Box Office Staff: Lauren McLeod, Kate Wieteska, Felix Trench, Reg Scott, Chloe Edworthy, Mairi Kellock, Cat Hoyle, Becs Kamp
*Cafe Staff: Lauren Fried, Becca Day-Preston, Chris Cotter, Craig Hamilton

'''Achievements:'''

*Built a wall in the [[auditorium]] to help with soundproofing
*Reskinned the [[stage]]
*New [[box office]] printer
*Installed [[sound]] system

==Fringe 2006==

*Fringe Venue Manager: Charlotte Jarvis
*Theatre Manager: Alex Engel
*Technical Manager: Matt Wieteska
*Press and Publicity Manager: Simon Hodges
*Graphics Designer: Chris Mounsey
*Box Office Managers: Helena Larkin and Tom Latter
*Café Managers: Clemmie Cooke and Charlotte Coles
*Box Office Staff: Cat Hoyle, James Turner Inman, Richard Shore, Katy Bartholomew, Colleen Patterson, Natalia Prochnicka and Geraldine Heaney
*Cafe Staff:

'''Achievements:'''

*Replaced blackout [[curtains]] on [[balcony]] with new black fabric
*New coffee machine with fancy coffee capabilities for [[cafe]]
*Built large schedule chalkboards for outside
*Painted [[office]] white and blue
*Reskinned the [[stage]]

==Fringe 2005==

*Fringe Venue Manager: Claire Glendenning
*Theatre Manager: James Turner-Inman
*Technical Manager: Paul Foxcroft
*Press and Publicity Manager: Andrew Nielson
*Graphics Designer: Chris Mounsey
*Box Office Managers: Heather Hanshaw + Nick Bustin
*Café Managers: Graeme Wright + Becca Davis
*Box Office Staff: Jeremy Bidgood, Rob Stott, Rosie Drew, Alex Engel, Charlotte Jarvis
*Cafe Staff: Emma Drage,

'''Achievements:'''

*Replaced carpet in [[auditorium]] with carpet tiles
*New freezer
*Improved [[box office]] system with thermal ticket printer and new software
*Re-hung rig (termtime budget?)
*Created trus-based awning for front of building (sponsored by Becks)
*Installed ADSL [[internet connection]], network cabling and wireless network
*Loads of painting
*Improved soundproofing in between [[café]] and [[auditorium]] around the door
*Pimped up the [[office]]
*New storage solutions in [[techbox]] and [[balcony]] for screws and stuff
*Various new bits and bobs for the [[café]] e.g. tea light lanterns
*Purchase of Dog (who is a rabbit) [and is very cute]
*Re-skinned [[stage]]
*Sanded down and varnished [[cafe]] floor

==Fringe 2004==

*Fringe Venue Manager: Miriam Raines
*Theatre Manager:
*Technical Manager: James Turner-Inman
*Press and Publicity Manager:
*Graphics Designer:
*Box Office Managers: Paul Foxcroft, Martin Cavanagh
*Café Managers:
*Box Office Staff:
*Cafe Staff:

==Fringe 2003==

*Fringe Venue Manager: Cat Smith
*Theatre Manager: Jono Ellis
*Technical Manager: Matt Ling
*Press and Publicity Manager: Sarah Cook
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Alison Timms and Kirsten Morris
*Café Managers: Victoria Tills and Kati Hind
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*New potato oven and chiller cabinet for [[cafe]]
*New [[sound]] system - two speakers, mini disc players, new MC2 amp, graphics - paid for by profit from Fringe 2002 (!)
*New level in [[costume cupboard]] - see graffiti!
*Skinned [[stage cupboard]] for the first time and removed wall and rail allowing it to become a stage pit
*Redid [[cafe]] and [[toilets]]
*Installed fan in [[cafe]] to improve ventilation
*Obtained two microwaves
*Redid [[kitchen]] - repainted and tiled walls, obtained new oven and hobs
*Cut down number of [[EUTC]] slots to two
*Held first [[FOB]] [[A_to_Z#AGM_-_Annual_General_Meeting|AGM]]
*Held first full preview week schedule
*Held art exhibition in collabaration with ECA
*Bought picnic table to extend [[cafe]] area (buy a new one!)
*Made more money than Graeme Timms (sorry long standing debate!)

==Fringe 2002==

*Fringe Venue Manager: Graeme Timms
*Theatre Manager: Richard Hogg
*Technical Manager: Matt Gray
*Press and Publicity Manager: Neil E. Hobbs
*Graphics Designer/Website: Neil E. Hobbs
*Box Office Managers: Pete Lowden and Sarah Kerr
*Café Managers: Cat Smith and Rachel Mountfield
*Box Office Staff:
*Cafe Staff:
 
'''Achievements:''' 
*Replaced damaged floorboards on [[stage]] during re-skinning
*Dug out back passage and laid path and red chips round that side of building
*Re-built [[box office]] counter
*Installed Tramp-Cam
*Much re-wiring of light fittings and sockets
*Computerised the [[Box office]] ticketing system
*Built the Info-Cat - (He never quite became a cat)
*Replaced lighting in [[toilets]]
*Rebranded '''Bedlam Fringe''' as a separate entity from term-time operation
*First website with up-to-date reviews, show info, etc
*Much painting
*Consumption of the more Caley Golden Promise that the Cash and Carry could stock!!

Electrical Tape

2009-11-20T18:11:31Z

Adam:

[[Category:Equipment]]
AKA: LX tape, Leccy

Electrical Insulation Tape can usually be found in the pockets of most [[techies]]. Uses include taping cables to the rig, wrapping cables up, hiding bare bits of wire (No! Just No.), strapping gel frames together and attaching unsuspecting victims to unmovable objects.

LX is used on the cables to mark their length, we use a similar system to [[Lighting_Hire|Blacklight]] except we don't include red or yellow, which are on all cables to indicate that they belong to Bedlam. Lengths are always rounded down and if there are two bands, then the lengths are added.

{| style="text-align:Center" border="1"
| length || Bedlam Colour || Black Light Colour
|-
| 0.5m || Orange || -
|-
| 1m || Brown || Brown
|-
| 2m || White || White
|-
| 3m || Purple || Purple
|-
| 5m || Blue || Blue
|-
| 10m || Green || Yellow
|-
| 20m || - || Green
|-
| 50m || - || Red
|}

LX tape is also used to identify the owner of tools; the table below shows some of the combinations

{| style="text-align:Center" border="1"
| Tape Colours || Owner || Notes
|-
| Red/Yellow || Bedlam ||
|-
| Yellow/Green || F.O.B. || [[Friends of Bedlam]] Toolkit (Striped/Earth Tape)
|-
| Blue/Red || Black Light ||
|-
| Yellow/Black || Dave Larking || ex-Theatre Manager
|-
| Red-Black-Red || Duncan Grieve || Moved On to better things.
|-
| Purple/Black || Alistair Marshall || Please Sir can I have my <insert tool> back?
|-
| Blue || Colleen Patterson || Will possibly add black if such a simple colour becomes an issue
|-
| Green/Black || Richard Bell || I hereby claim the fore-mentioned colours for my stuff!
|-
| Black/Red/Black || Mark Gerrard || ...see it, find it? Give it back...
|-
| Green/Black || Heather Hanshaw || I hereby re-claim the fore-mentioned colours from Richard cos i was here first! xx
|-
| Green/Black/Green || Claire Freake || My AJ had a band of bright green lx. Then it went missing at NSDF. Damn.
|-
| Blue/White || Alex Engel || These colours were hijacked with consent from David Illsley.
|-
| Blue/Red/White || Dave Moffat || It's mine, right!
|-
| Blue/Silver || Xander (like "Cher") || Maybe I should put my colours on my LX tape...
|-
| Blue/Green || Denise Wood || I'm reserving this in advance for the tools I will someday have!
|-
| Blue/Black/Red || Alex 'Mal' Mead || I know have lots of stuff but none of it is tagged
|-
| Yellow/Brown || Neale Dutton || They're not Terry's they are mine.
|-
| Blue/Blue || Neale and Dave ||
|-
| Orange/White || Felix Trench || Inspired.
|-
| White/Black/White || Jamie McQuilkin || Like MJ - white on the outside, black on the inside
|-
| Red/Green || Ewan JD Connor || Red and Green - The colours of seats and trees.
|-
| Blue/Yellow || James Lamont || GO FOR THE EYES BOO, GO FOR THE EYES!!!
|-
| Red/Orange || Gordon Nimmo-Smith || Don't copy him!
|-
| Red/Red || Ben Hussey || Because I have a wiki account.
|-
| Yellow/Green/Purple || Adam Alton || That'd be earth tape and purple, so remember it, don't use it and return it if you see it
|-
| Brown/Brown || Roz Perkins || Because I'm a live wire
|}

LX tape can be used to write on. If a lantern breaks please put some tape on it, write what is wrong with it and leave it on the back desk of the [[techbox]]. If the mode of failure is not known mark the item FUCT - Failed Under Constant Testing!!

Electrical Tape

2009-11-20T11:53:15Z

Adam:

[[Category:Equipment]]
AKA: LX tape, Leccy

Electrical Insulation Tape can usually be found in the pockets of most [[techies]]. Uses include taping cables to the rig, wrapping cables up, hiding bare bits of wire (No! Just No.), strapping gel frames together and attaching unsuspecting victims to unmovable objects.

LX is used on the cables to mark their length, we use a similar system to [[Lighting_Hire|Blacklight]] except we don't include red or yellow, which are on all cables to indicate that they belong to Bedlam. Lengths are always rounded down and if there are two bands, then the lengths are added.

{| style="text-align:Center" border="1"
| length || Bedlam Colour || Black Light Colour
|-
| 0.5m || Orange || Orange
|-
| 1m || Brown || Brown
|-
| 2m || White || White
|-
| 3m || Purple || Purple
|-
| 5m || Blue || Blue
|-
| 10m || Green || Yellow
|-
| 20m || - || Green
|-
| 50m || - || Red
|}

LX tape is also used to identify the owner of tools; the table below shows some of the combinations

{| style="text-align:Center" border="1"
| Tape Colours || Owner || Notes
|-
| Red/Yellow || Bedlam ||
|-
| Yellow/Green || F.O.B. || [[Friends of Bedlam]] Toolkit (Striped/Earth Tape)
|-
| Blue/Red || Black Light ||
|-
| Yellow/Black || Dave Larking || ex-Theatre Manager
|-
| Red-Black-Red || Duncan Grieve || Moved On to better things.
|-
| Purple/Black || Alistair Marshall || Please Sir can I have my <insert tool> back?
|-
| Blue || Colleen Patterson || Will possibly add black if such a simple colour becomes an issue
|-
| Green/Black || Richard Bell || I hereby claim the fore-mentioned colours for my stuff!
|-
| Black/Red/Black || Mark Gerrard || ...see it, find it? Give it back...
|-
| Green/Black || Heather Hanshaw || I hereby re-claim the fore-mentioned colours from Richard cos i was here first! xx
|-
| Green/Black/Green || Claire Freake || My AJ had a band of bright green lx. Then it went missing at NSDF. Damn.
|-
| Blue/White || Alex Engel || These colours were hijacked with consent from David Illsley.
|-
| Blue/Red/White || Dave Moffat || It's mine, right!
|-
| Blue/Silver || Xander (like "Cher") || Maybe I should put my colours on my LX tape...
|-
| Blue/Green || Denise Wood || I'm reserving this in advance for the tools I will someday have!
|-
| Blue/Black/Red || Alex 'Mal' Mead || I know have lots of stuff but none of it is tagged
|-
| Yellow/Brown || Neale Dutton || They're not Terry's they are mine.
|-
| Blue/Blue || Neale and Dave ||
|-
| Orange/White || Felix Trench || Inspired.
|-
| White/Black/White || Jamie McQuilkin || Like MJ - white on the outside, black on the inside
|-
| Red/Green || Ewan JD Connor || Red and Green - The colours of seats and trees.
|-
| Blue/Yellow || James Lamont || GO FOR THE EYES BOO, GO FOR THE EYES!!!
|-
| Red/Orange || Gordon Nimmo-Smith || Don't copy him!
|-
| Red/Red || Ben Hussey || Because I have a wiki account.
|-
| Yellow/Green/Purple || Adam Alton || That'd be earth tape and purple, so remember it, don't use it and return it if you see it
|-
| Brown/Brown || Roz Perkins || Because I'm a live wire
|}

LX tape can be used to write on. If a lantern breaks please put some tape on it, write what is wrong with it and leave it on the back desk of the [[techbox]]. If the mode of failure is not known mark the item FUCT - Failed Under Constant Testing!!

Electrical Tape

2009-11-20T11:52:54Z

Adam:

[[Category:Equipment]]
AKA: LX tape, Leccy

Electrical Insulation Tape can usually be found in the pockets of most [[techies]]. Uses include taping cables to the rig, wrapping cables up, hiding bare bits of wire (No! Just No.), strapping gel frames together and attaching unsuspecting victims to unmovable objects.

LX is used on the cables to mark their length, we use a similar system to [[Lighting_Hire|Blacklight]] except we don't include red or yellow, which are on all cables to indicate that they belong to Bedlam. Lengths are always rounded down and if there are two bands, then the lengths are added.

{| style="text-align:Center" border="1"
| length || Bedlam Colour || Black Light Colour
| 0.5m || Orange || Orange
|-
| 1m || Brown || Brown
|-
| 2m || White || White
|-
| 3m || Purple || Purple
|-
| 5m || Blue || Blue
|-
| 10m || Green || Yellow
|-
| 20m || - || Green
|-
| 50m || - || Red
|}

LX tape is also used to identify the owner of tools; the table below shows some of the combinations

{| style="text-align:Center" border="1"
| Tape Colours || Owner || Notes
|-
| Red/Yellow || Bedlam ||
|-
| Yellow/Green || F.O.B. || [[Friends of Bedlam]] Toolkit (Striped/Earth Tape)
|-
| Blue/Red || Black Light ||
|-
| Yellow/Black || Dave Larking || ex-Theatre Manager
|-
| Red-Black-Red || Duncan Grieve || Moved On to better things.
|-
| Purple/Black || Alistair Marshall || Please Sir can I have my <insert tool> back?
|-
| Blue || Colleen Patterson || Will possibly add black if such a simple colour becomes an issue
|-
| Green/Black || Richard Bell || I hereby claim the fore-mentioned colours for my stuff!
|-
| Black/Red/Black || Mark Gerrard || ...see it, find it? Give it back...
|-
| Green/Black || Heather Hanshaw || I hereby re-claim the fore-mentioned colours from Richard cos i was here first! xx
|-
| Green/Black/Green || Claire Freake || My AJ had a band of bright green lx. Then it went missing at NSDF. Damn.
|-
| Blue/White || Alex Engel || These colours were hijacked with consent from David Illsley.
|-
| Blue/Red/White || Dave Moffat || It's mine, right!
|-
| Blue/Silver || Xander (like "Cher") || Maybe I should put my colours on my LX tape...
|-
| Blue/Green || Denise Wood || I'm reserving this in advance for the tools I will someday have!
|-
| Blue/Black/Red || Alex 'Mal' Mead || I know have lots of stuff but none of it is tagged
|-
| Yellow/Brown || Neale Dutton || They're not Terry's they are mine.
|-
| Blue/Blue || Neale and Dave ||
|-
| Orange/White || Felix Trench || Inspired.
|-
| White/Black/White || Jamie McQuilkin || Like MJ - white on the outside, black on the inside
|-
| Red/Green || Ewan JD Connor || Red and Green - The colours of seats and trees.
|-
| Blue/Yellow || James Lamont || GO FOR THE EYES BOO, GO FOR THE EYES!!!
|-
| Red/Orange || Gordon Nimmo-Smith || Don't copy him!
|-
| Red/Red || Ben Hussey || Because I have a wiki account.
|-
| Yellow/Green/Purple || Adam Alton || That'd be earth tape and purple, so remember it, don't use it and return it if you see it
|-
| Brown/Brown || Roz Perkins || Because I'm a live wire
|}

LX tape can be used to write on. If a lantern breaks please put some tape on it, write what is wrong with it and leave it on the back desk of the [[techbox]]. If the mode of failure is not known mark the item FUCT - Failed Under Constant Testing!!

Electrical Tape

2009-05-21T12:28:20Z

Adam:

[[Category:Equipment]]
AKA: LX tape, Leccy

Electrical Insulation Tape can usually be found in the pockets of most [[techies]]. Uses include taping cables to the rig, wrapping cables up, hiding bare bits of wire (No! Just No.), strapping gel frames together and attaching unsuspecting victims to unmovable objects.

LX is used on the cables to mark their length, we use a similar system to [[Lighting_Hire|Blacklight]] except we don't include red or yellow, which are on all cables to indicate that they belong to Bedlam. Lengths are always rounded down and if there are two bands, then the lengths are added.

{| style="text-align:Center" border="1"
| length || Bedlam Colour || Black Light Colour
|-
| 1m || Brown || Brown
|-
| 2m || White || White
|-
| 3m || Purple || Purple
|-
| 5m || Blue || Blue
|-
| 10m || Green || Yellow
|-
| 20m || - || Green
|-
| 50m || - || Red
|}

LX tape is also used to identify the owner of tools; the table below shows some of the combinations

{| style="text-align:Center" border="1"
| Tape Colours || Owner || Notes
|-
| Red/Yellow || Bedlam ||
|-
| Yellow/Green || F.O.B. || [[Friends of Bedlam]] Toolkit (Striped/Earth Tape)
|-
| Blue/Red || Black Light ||
|-
| Yellow/Black || Dave Larking || ex-Theatre Manager
|-
| Red-Black-Red || Duncan Grieve || Moved On to better things.
|-
| Purple/Black || Alistair Marshall || Please Sir can I have my <insert tool> back?
|-
| Blue || Colleen Patterson || Will possibly add black if such a simple colour becomes an issue
|-
| Green/Black || Richard Bell || I hereby claim the fore-mentioned colours for my stuff!
|-
| Black/Red/Black || Mark Gerrard || ...see it, find it? Give it back...
|-
| Green/Black || Heather Hanshaw || I hereby re-claim the fore-mentioned colours from Richard cos i was here first! xx
|-
| Green/Black/Green || Claire Freake || My AJ had a band of bright green lx. Then it went missing at NSDF. Damn.
|-
| Blue/White || Alex Engel || These colours were hijacked with consent from David Illsley.
|-
| Blue/Red/White || Dave Moffat || It's mine, right!
|-
| Blue/Silver || Xander (like "Cher") || Maybe I should put my colours on my LX tape...
|-
| Blue/Green || Denise Wood || I'm reserving this in advance for the tools I will someday have!
|-
| Blue/Black/Red || Alex 'Mal' Mead || I know have lots of stuff but none of it is tagged
|-
| Yellow/Brown || Neale Dutton || They're not Terry's they are mine.
|-
| Blue/Blue || Neale and Dave ||
|-
| Orange/White || Felix Trench || Inspired.
|-
| White/Black/White || Jamie McQuilkin || Because one day I might actually have stuff worth stealing...
|-
| Red/Green || Ewan JD Connor || Red and Green - The colours of seats and trees.
|-
| Red/Orange || Gordon Nimmo-Smith || Don't copy him!
|-
| Red/Red || Ben Hussey || Because I have a wiki account.
|-
| Yellow/Green/Purple || Adam Alton || That'd be earth tape and purple, so remember it, don't use it and return it if you see it
|-
| Brown/Brown || Roz Perkins || Because I'm a live wire
|}

LX tape can be used to write on. If a lantern breaks please put some tape on it, write what is wrong with it and leave it on the back desk of the [[techbox]]. If the mode of failure is not known mark the item FUCT - Failed Under Constant Testing!!

Electrical Tape

2009-03-22T22:15:53Z

Adam:

[[Category:Equipment]]
AKA: LX tape, Leccy

Electrical Insulation Tape can usually be found in the pockets of most [[techies]]. Uses include taping cables to the rig, wrapping cables up, hiding bare bits of wire (No! Just No.), strapping gel frames together and attaching unsuspecting victims to unmovable objects.

LX is used on the cables to mark their length, we use a similar system to [[Lighting_Hire|Blacklight]] except we don't include red or yellow, which are on all cables to indicate that they belong to Bedlam. Lengths are always rounded down and if there are two bands, then the lengths are added.

{| style="text-align:Center" border="1"
| length || Bedlam Colour || Black Light Colour
|-
| 1m || Brown || Brown
|-
| 2m || White || White
|-
| 3m || Purple || Purple
|-
| 5m || Blue || Blue
|-
| 10m || Green || Yellow
|-
| 20m || - || Green
|-
| 50m || - || Red
|}

LX tape is also used to identify the owner of tools; the table below shows some of the combinations

{| style="text-align:Center" border="1"
| Tape Colours || Owner || Notes
|-
| Red/Yellow || Bedlam ||
|-
| Yellow/Green || F.O.B. || [[Friends of Bedlam]] Toolkit (Striped/Earth Tape)
|-
| Blue/Red || Black Light ||
|-
| Yellow/Black || Dave Larking || ex-Theatre Manager
|-
| Red-Black-Red || Duncan Grieve || Moved On to better things.
|-
| Purple/Black || Alistair Marshall || Please Sir can I have my <insert tool> back?
|-
| Blue || Colleen Patterson || Will possibly add black if such a simple colour becomes an issue
|-
| Green/Black || Richard Bell || I hereby claim the fore-mentioned colours for my stuff!
|-
| Black/Red/Black || Mark Gerrard || ...see it, find it? Give it back...
|-
| Green/Black || Heather Hanshaw || I hereby re-claim the fore-mentioned colours from Richard cos i was here first! xx
|-
| Green/Black/Green || Claire Freake || My AJ had a band of bright green lx. Then it went missing at NSDF. Damn.
|-
| Blue/White || Alex Engel || These colours were hijacked with consent from David Illsley.
|-
| Blue/Red/White || Dave Moffat || It's mine, right!
|-
| Blue/Silver || Xander (like "Cher") || Maybe I should put my colours on my LX tape...
|-
| Blue/Green || Denise Wood || I'm reserving this in advance for the tools I will someday have!
|-
| Blue/Black/Red || Alex 'Mal' Mead || I know have lots of stuff but none of it is tagged
|-
| Yellow/Brown || Neale Dutton || They're not Terry's they are mine.
|-
| Blue/Blue || Neale and Dave ||
|-
| Orange/White || Felix Trench || Inspired.
|-
| White/Black/White || Jamie McQuilkin || Because one day I might actually have stuff worth stealing...
|-
| Red/Green || Ewan JD Connor || Red and Green - The colours of seats and trees.
|-
| Red/Orange || Gordon Nimmo-Smith || Don't copy him!
|-
| Red/Red || Ben Hussey || Because I have a wiki account.
|-
| Yellow/Green/Purple || Adam Alton || That'd be earth tape and purple, so remember it, don't use it and return it if you see it
|}

LX tape can be used to write on. If a lantern breaks please put some tape on it, write what is wrong with it and leave it on the back desk of the [[techbox]]. If the mode of failure is not known mark the item FUCT - Failed Under Constant Testing!!

Electrical Tape

2009-03-06T19:57:45Z

Adam:

[[Category:Equipment]]
AKA: LX tape, Leccy

Electrical Insulation Tape can usually be found in the pockets of most [[techies]]. Uses include taping cables to the rig, wrapping cables up, hiding bare bits of wire (No! Just No.), strapping gel frames together and attaching unsuspecting victims to unmovable objects.

LX is used on the cables to mark their length, we use a similar system to [[Lighting_Hire|Blacklight]] except we don't include red or yellow, which are on all cables to indicate that they belong to Bedlam. Lengths are always rounded down and if there are two bands, then the lengths are added.

{| style="text-align:Center" border="1"
| length || Bedlam Colour || Black Light Colour
|-
| 1m || Brown || Brown
|-
| 2m || White || White
|-
| 3m || Purple || Purple
|-
| 5m || Blue || Blue
|-
| 10m || Green || Yellow
|-
| 20m || - || Green
|-
| 50m || - || Red
|}

LX tape is also used to identify the owner of tools; the table below shows some of the combinations

{| style="text-align:Center" border="1"
| Tape Colours || Owner || Notes
|-
| Red/Yellow || Bedlam ||
|-
| Yellow/Green || F.O.B. || [[Friends of Bedlam]] Toolkit (Striped/Earth Tape)
|-
| Blue/Red || Black Light ||
|-
| Yellow/Black || Dave Larking || ex-Theatre Manager
|-
| Red-Black-Red || Duncan Grieve || Moved On to better things.
|-
| Purple/Black || Alistair Marshall || Please Sir can I have my <insert tool> back?
|-
| Blue || Colleen Patterson || Will possibly add black if such a simple colour becomes an issue
|-
| Green/Black || Richard Bell || I hereby claim the fore-mentioned colours for my stuff!
|-
| Black/Red/Black || Mark Gerrard || ...see it, find it? Give it back...
|-
| Green/Black || Heather Hanshaw || I hereby re-claim the fore-mentioned colours from Richard cos i was here first! xx
|-
| Green/Black/Green || Claire Freake || My AJ had a band of bright green lx. Then it went missing at NSDF. Damn.
|-
| Blue/White || Alex Engel || These colours were hijacked with consent from David Illsley.
|-
| Blue/Red/White || Dave Moffat || It's mine, right!
|-
| Blue/Silver || Xander (like "Cher") || Maybe I should put my colours on my LX tape...
|-
| Blue/Green || Denise Wood || I'm reserving this in advance for the tools I will someday have!
|-
| Blue/Black/Red || Alex 'Mal' Mead || I know have lots of stuff but none of it is tagged
|-
| Yellow/Brown || Neale Dutton || They're not Terry's they are mine.
|-
| Blue/Blue || Neale and Dave ||
|-
| Orange/White || Felix Trench || Inspired.
|-
| White/Black/White || Jamie McQuilkin || Because one day I might actually have stuff worth stealing...
|-
| Red/Green || Ewan JD Connor || Red and Green - The colours of seats and trees.
|-
| Red/Orange || Gordon Nimmo-Smith || Don't copy him!
|-
| Red/Red || Ben Hussey || Because I have a wiki account.
|-
| Yellow/Green/Silver || Adam Alton || That'd be earth tape and silver, so remember it, don't use it and return it if you see it
|}

LX tape can be used to write on. If a lantern breaks please put some tape on it, write what is wrong with it and leave it on the back desk of the [[techbox]]. If the mode of failure is not known mark the item FUCT - Failed Under Constant Testing!!

FOH Sound

2009-03-05T17:36:38Z

Adam: /* Zones */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player (set levels between 5 and 6 for a good sound*)
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed (set levels around 6 for a good sound*)

* This is assuming the amps are setup as shown below, as well as the tech box levels when using the tech box feed

=== Zones ===
* Zone 1: Café (All control of the cafe sound is run from the servery remote, on the wall near the chiller, this can be chaged at the push of a button if necessary)
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T11:01:00Z

Adam: /* Inputs */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player (set levels between 5 and 6 for a good sound*)
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed (set levels around 6 for a good sound*)

* This is assuming the amps are setup as shown below, as well as the tech box levels when using the tech box feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T11:00:48Z

Adam: /* Inputs */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player (set levels between 5 and 6 for a good sound*)
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed (set levels around 6 for a good sound*)

* * This is assuming the amps are setup as shown below, as well as the tech box levels when using the tech box feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T11:00:34Z

Adam: /* Inputs */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player (set levels between 5 and 6 for a good sound*)
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed (set levels around 6 for a good sound*)

* * This is assuming the amps are setup as shown below, as well as the tech box levels when using the tech box feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T10:59:48Z

Adam: /* Inputs */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player (set levels between 5 and 6 for a good sound*)
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed (set levels around 6 for a good sound*)

** This is assuming the amps are setup as shown below, as well as the tech box levels when using the tech box feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T10:59:28Z

Adam: /* Inputs */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player (set levels between 5 and 6 for a good sound*)
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed (set levels around 6 for a good sound*)

* This is assuming the amps are setup as shown below, as well as the tech box levels when using the tech box feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T10:56:58Z

Adam: /* Amplifiers */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T10:56:08Z

Adam: /* Tech Box Feed */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T10:55:19Z

Adam: /* Tech Box Feed */

= Front Of House Sound System =

Front Of House sound is distributed from a Zone Mixer in the Box Office, secured to the underside of the shelf immediately to the left of the Box Office computer.

The Zone Mixer takes up to six inputs and sends sound to three zones. Each zone can be independently set to play back one of the six inputs.

As of 2009-03-03 the mappings are:

=== Inputs ===
* Input 1: Box Office CD player
* Input 2: Unassigned
* Input 3: Box Office Minijack (for iPods, laptops, etc), when cable is bought
* Input 4: Unassigned
* Input 5: Unassigned
* Input 6: Tech Box Feed

=== Zones ===
* Zone 1: Café
* Zone 2: Box Office
* Zone 3: Toilet Corridor

= Maintenance =

== Mono/Stereo ==

The café is the only zone that has stereo playback - this is a limitation of the Zone Mixer. Additionally, the tech box feed is mono so all playback from the tech box is strictly mono. However, sound from other sources will be in stereo in the café.

== Tech Box Feed ==

The tech box feed enters the box office via a cable on the right side of the box office cupboard door frame.

As of 2009-03-03 the FOH sound system has been setup in a way that should make it as easy as possible to use. The zone mixer ad amps in the box office have been set up so that the user pretty much just has to power the system on and maybe slightly adjust the zone mixer levels.

To get a good sound level in all 3 zones when using the tech box feed, make sure that both the main output faders and the channel faders are set to 0, then using the device volume and the gain get the PFL level to be around 0 as well. For reference the GRP 1 - MTX 1 and the GRP 2 - MTX 2 should be set to 0, the others should be off.

In the box office, the amps should be set up as follows:
Cafe = 17
Box Office = 12 o clock position (not too technical but it works)
Toilets = 30 on channel A and 0 on channel B (channel B doesn't actually work so it doesn't really matter what level it's at)

Then for the tech box feed the zone mixer levels for each zone should be at 6 (12 o clock position)

In theory if all the levels are left like this you can just turn the zone mixer on and then the amps on and the system will just work, but bear in mind that the tech box feed may not have been set up in advance so you should probably turn the zone mixer levels to 0 before turning it on.

It would probably make it easier to try and create a dedicated FOH feed from the tech box using a separate input which won't need to be messed with so that people in the tech box don't accidently turn it off or turn it up too loud thinking they're just changing auditorium levels.

Because of the low levels on the amps they can be turned on and off without turning the levels to 0 and it shouldn't burst the speakers, it just saves people randomly putting the amps at whatever levels they want, the lower the better really, it stops some lovely buzzing sounds.

== Backstage Feed ==

As of 2008-07-26 there is cabling for a backstage feed but it is not connected as a zone (we instead are using this zone for the toilet corridor). The backstage feed is potentially useful as a stage monitor for actors in the dressing room, so if this suits you you may like to find the dangling connector pair hidden behind the amps and sub out a zone on the mixer in order to reconnect it.

The backstage feed is wired with cat5e (purple sheath) carrying both mono sound and the signal wires for the zone remote.

== Remotes ==

Any zone can be controlled remotely by attaching a (wall-mounted) remote. When the zone is controlled remotely the first two knobs for the zone (input select and volume) no longer have any effect on the mixer (having been overridden by the knobs on the remote). As of 2008-07-26, only the café zone is controlled by a remote, on the left wall of the café when facing out. This makes it easier for box office staff to keep the box office and toilet corridor playing from the same input.

== Amplifiers ==

Each zone has a separate amplifier, all amplifiers are stacked on the floor beneath the zone mixer. The toilet corridor amp is only driving one speaker, this is ideal because the other channel on the amplifier does not work. You make want to take this into account if repurposing the amps.

Don't change the gains on the amplifiers, use the zone volume knobs instead.

As with the tech box sound system, turn on the zone mixer before turning on the amplifiers. When powering down, turn off the amplifiers before turning off the zone mixer.

== Adding more inputs ==

The back of the zone mixer is readily accessible by sticking your head into the shelf space and having a strong light source to hand. The inputs are at the right end of the back of the device (or your left, once you've stuck your head in the shelf). Input one is the edgemost, input six is nearest the middle.

Make sure any wires you add are cabletied neatly so that the shelf space beneath the zone mixer is still as usable as possible. Additionally, keep the next person to come along happy by labelling your cables at both ends. You will be loved.

== Doing more interesting stuff with the Zone Mixer ==

If you need to mess with the zone mappings, remotes, zone EQs or other more advanced stuff you should unscrew the zone mixer from its brackets and get a better look - the device is completely self-documented in astonishingly detail by diagrams on the top and the bottom of the case - including required wiring configurations for the connectors and other useful stuff to know.

FOH Sound

2009-03-03T10:35:00Z

Adam: /* Front Of House Sound System */

FOH Sound

2009-03-03T10:33:46Z

Adam: /* Inputs */